Notes on Late Medieval Art
Late Medieval Art and Influences
Italian Art Snobbery
- Italians view Middle Ages art as inferior, seeing it distort Classical Greek and Roman principles.
- Renaissance begins in Italy around 1200 AD, seeking inspiration from the Classical past.
Political Structure in Italy (circa 1400)
- Italy dominated by Holy Roman Emperor and the Pope.
- Individual city-states (Siena, Florence, Pisa, Venice) competed for power.
- Wealthy merchant families became key patrons of arts.
Frederick II's Influence (1198-1250)
- His court reignited interest in ancient Roman art, promoting a revival style.
- Used art to project his image as the heir of the Roman Empire.
Byzantine Art Influence
- Byzantine style characterized by slim figures, golden backgrounds, and religious reverence.
- Italian artists merged Byzantine styles with local ideas, known as Italo-Byzantine style.
- Examples of Byzantine art include icons, manuscripts, and tapestries.
St. Francis of Assisi (1182-1226)
- Francis renounced wealth, founded the Franciscan order emphasizing poverty and service.
- His miraculous life inspired numerous artworks, including the Saint Francis Altarpiece by Bonaventura Berlinghieri.
Bonaventura Berlinghieri (c. 1235-1244)
- Known for the earliest signed image of St. Francis, harmonizing Byzantine and emerging natural styles.
- Saint Francis Altarpiece depicts the saint's relationship with nature and his stigmata.
Duccio di Buoninsegna (c. 1255-1318)
- Key figure transitioning from Medieval styles to more naturalistic approaches.
- Known for monumental works like the Rucellai Madonna and the Maestà, showcasing depth and emotional expression.
Simone Martini (1284-1344)
- Prominent in the Sienese school; created elegant, realistic works influenced by the International Style.
- Important works include the Annunciation with Two Saints and Maestà in Palazzo Pubblico.
Summary of Artistic Evolution
- Transition from Byzantine influences to more natural approaches in the depiction of figures and space.
- Rise of Humanism influenced the choice of subjects, depicting saints with relatable human qualities.
Conclusion
- Late Medieval art laid groundwork for the Renaissance, emphasizing a shift towards classical inspiration and naturalism in art.