Japanese pottery - Jomon period

Oxbow Books Content Overview

  • Chapter Title: The appearance of pottery

  • Book Title: Jomon Reflections

  • Book Subtitle: Forager Life and Culture in the Prehistoric Japanese Archipelago

  • Authors: Tatsuo Kobayashi and Oki Nakamura

  • Publisher: Oxbow Books, 2004

  • Stable URL: JSTOR Link

Chapter Three: The Appearance of Pottery

1. Overview of Pottery in the Japanese Archipelago

  • Radiocarbon dating: The oldest pottery fragments in the world have been found in the Japanese archipelago.

  • Significance: Understanding the development of pottery is crucial for Jomon archaeology but remains unclear how it became integral to Jomon culture.

2. Theories of Origin of Pottery

2.1. Local Invention
  • Environmental Context: Kato Shinpei suggests that the rich environments of Kyushu, with abundant chestnuts, walnuts, and acorns, may have contributed to the emergence of pottery.

    • Supporting Evidence: Early village sites and artifacts from Fukui Cave in Nagasaki.

2.2. Diffusion from Continental East Asia
  • Historical Perspective: Yamanouchi Sugao believed pottery was invented elsewhere in continental East Asia and diffused into Japan.

  • Comparative Analysis: Sato Tatsuo compared pottery from Kosegasawa Cave with designs from Siberia and Korea, indicating ancestral connections.

    • Reevaluation: Research shows that the pottery assumed to be ancestral dates later than Jomon pottery, suggesting an independent development.

2.3. Multiple Origins Theory
  • Proposition: Proposed by Serizawa Chosuke, indicating that pottery may have originated in several different locations, including the Japanese archipelago.

3. Cooking and Pottery

  • Use in Cooking: Pottery was integral for cooking in the Japanese archipelago, with evidence from sites such as Kakoinohara in Kagoshima Prefecture.

    • Evidence of Cooking: Discolored clay from pots implies they were exposed to fire; carbonized food remnants were found.

    • Comparison to Western Asia: Early pottery in Western Asia was used differently (storage jars vs. cooking pots).

4. Conditions for Pottery Invention (Springboard Principle)

  • Two Necessary Conditions:

    1. Technological ability to manufacture pottery.

    2. A perceived need to create pottery.

  • Analogy from Psychology: Derived from Wolfgang Kohler’s experiments with chimpanzees demonstrating problem-solving through tools. The chimp’s need for food led to realizing the potential of available resources (stick as a tool, box as a springboard).

  • Application: The combination of clay, water, and fire underlies the potential for the creation of pottery.

5. The Social and Cultural Impact of Pottery Development

  • Technological Revolution: Pottery enabled a broader range of foods to be prepared and consumed, increasing the Jomon diet diversity significantly.

  • Need for Cooking: Many plant foods in cooler zones require cooking, especially those with toxins (e.g., acorns).

6. Archaeological Findings

6.1. Shell Middens
  • Example: Natsushima, dating to around 9000 years ago, associated with the Initial Jomon, shows evidence of significant dietary changes and food preparation.

  • Shell Types Found: Evidence of multiple species of shellfish indicates early marine resource exploitation.

7. Earliest Record and Evolution of Jomon Pottery

7.1. Historical Records
  • Eiroku Nikki (1623): First documentation of ancient earthenware in Japan, specifically mentioning Kamegaoka, a significant site for Jomon culture.

7.2. Edward Sylvester Morse’s Contributions
  • Discoveries: Morse examined cord-marked pottery in Omori in the 1870s, significantly contributing to the scientific approach to Jomon archaeology.

  • Cord Pattern Naming: The term "Jomon" (meaning cord pattern) originated from Morse’s documentation of the pottery characteristics.

8. Cord Marking Techniques

  • Historical Context: Scholars like Sugiyama Sueo and Oyama Kashiwa attempted to understand how cord patterns were applied.

  • Yamanouchi Sugao's Innovations:

    • Established a typology for cord-marked patterns and hypothesized they were created by rolling cords onto clay.

    • His accidental discovery in 1931 highlighted the way these decorative marks were produced.

9. Jomon Pottery Forms and Styles

9.1. Features and Analysis
  • Pottery Characteristics: Individual pots display both common traits and distinguishing features, allowing classification by style.

  • Role of Potters: It is theorized that women predominantly made these pots, reflecting personal and community identities in their design.

9.2. Styles Development
  • Group Variations: Analysis of pottery within cultural context leads to understanding community relationships.

  • Artistic Freedom vs. Community Standards: Individual expression coexists within communal standards, leading to fluidity in pot designs.

10. Stylistic Evolution and Phases of Jomon Pottery

10.1. Phases
  • Subdivisions of the Jomon: Archaeologists categorize the Jomon period into six main subperiods, each with internal stylistic phases.

  • Evolution Rates: Stylistic changes accelerated over time, with shorter periods during historical eras following the Jomon.

10.2. Approximate Timespan
  • Calculations: 10,000 years divided by 60 identified phases indicates an average duration of about 166 years for each phase.

10.3. Major Development Stages
  1. Incipient Jomon:

    • Early pottery forms with mental templates from other container types.

    • Initial creative expressions, patterns influenced by non-clay vessels.

  2. Initial Jomon:

    • Introduction of conical deep pots as the primary form, emphasizing pottery's unique identity.

    • Decoration shifts focus to forms intrinsic to clay rather than imitative designs.

  3. Early Jomon:

    • Diversification in vessel shapes and uses, including serving and storage.

    • New ornamental techniques introduced, including divided designs and complex compositions.

  4. Middle to Final Jomon:

    • Emergence of a full range of vessel types for various functions (cooking, serving, burial) alongside ritualistic uses.

    • Development of narrative patterns that bear cultural significance and layer meanings beyond mere ornamentation.

11. Impact of Pottery on Jomon Society

  • Cultural Narratives: Pottery reflects deeper societal beliefs and practices, including storytelling embedded in decorative motifs.

  • Community Engagement: Shared artistic endeavors, likely linked to communal rituals and social interactions, promoted an understanding of cultural narratives reflected in pottery designs.

12. Conclusion

  • Evolving Concepts: The transformation of Jomon pottery illustrates both technological advancements and shifts in social context, weaving a narrative rich in historical significance.