Japanese pottery - Jomon period
Oxbow Books Content Overview
Chapter Title: The appearance of pottery
Book Title: Jomon Reflections
Book Subtitle: Forager Life and Culture in the Prehistoric Japanese Archipelago
Authors: Tatsuo Kobayashi and Oki Nakamura
Publisher: Oxbow Books, 2004
Stable URL: JSTOR Link
Chapter Three: The Appearance of Pottery
1. Overview of Pottery in the Japanese Archipelago
Radiocarbon dating: The oldest pottery fragments in the world have been found in the Japanese archipelago.
Significance: Understanding the development of pottery is crucial for Jomon archaeology but remains unclear how it became integral to Jomon culture.
2. Theories of Origin of Pottery
2.1. Local Invention
Environmental Context: Kato Shinpei suggests that the rich environments of Kyushu, with abundant chestnuts, walnuts, and acorns, may have contributed to the emergence of pottery.
Supporting Evidence: Early village sites and artifacts from Fukui Cave in Nagasaki.
2.2. Diffusion from Continental East Asia
Historical Perspective: Yamanouchi Sugao believed pottery was invented elsewhere in continental East Asia and diffused into Japan.
Comparative Analysis: Sato Tatsuo compared pottery from Kosegasawa Cave with designs from Siberia and Korea, indicating ancestral connections.
Reevaluation: Research shows that the pottery assumed to be ancestral dates later than Jomon pottery, suggesting an independent development.
2.3. Multiple Origins Theory
Proposition: Proposed by Serizawa Chosuke, indicating that pottery may have originated in several different locations, including the Japanese archipelago.
3. Cooking and Pottery
Use in Cooking: Pottery was integral for cooking in the Japanese archipelago, with evidence from sites such as Kakoinohara in Kagoshima Prefecture.
Evidence of Cooking: Discolored clay from pots implies they were exposed to fire; carbonized food remnants were found.
Comparison to Western Asia: Early pottery in Western Asia was used differently (storage jars vs. cooking pots).
4. Conditions for Pottery Invention (Springboard Principle)
Two Necessary Conditions:
Technological ability to manufacture pottery.
A perceived need to create pottery.
Analogy from Psychology: Derived from Wolfgang Kohler’s experiments with chimpanzees demonstrating problem-solving through tools. The chimp’s need for food led to realizing the potential of available resources (stick as a tool, box as a springboard).
Application: The combination of clay, water, and fire underlies the potential for the creation of pottery.
5. The Social and Cultural Impact of Pottery Development
Technological Revolution: Pottery enabled a broader range of foods to be prepared and consumed, increasing the Jomon diet diversity significantly.
Need for Cooking: Many plant foods in cooler zones require cooking, especially those with toxins (e.g., acorns).
6. Archaeological Findings
6.1. Shell Middens
Example: Natsushima, dating to around 9000 years ago, associated with the Initial Jomon, shows evidence of significant dietary changes and food preparation.
Shell Types Found: Evidence of multiple species of shellfish indicates early marine resource exploitation.
7. Earliest Record and Evolution of Jomon Pottery
7.1. Historical Records
Eiroku Nikki (1623): First documentation of ancient earthenware in Japan, specifically mentioning Kamegaoka, a significant site for Jomon culture.
7.2. Edward Sylvester Morse’s Contributions
Discoveries: Morse examined cord-marked pottery in Omori in the 1870s, significantly contributing to the scientific approach to Jomon archaeology.
Cord Pattern Naming: The term "Jomon" (meaning cord pattern) originated from Morse’s documentation of the pottery characteristics.
8. Cord Marking Techniques
Historical Context: Scholars like Sugiyama Sueo and Oyama Kashiwa attempted to understand how cord patterns were applied.
Yamanouchi Sugao's Innovations:
Established a typology for cord-marked patterns and hypothesized they were created by rolling cords onto clay.
His accidental discovery in 1931 highlighted the way these decorative marks were produced.
9. Jomon Pottery Forms and Styles
9.1. Features and Analysis
Pottery Characteristics: Individual pots display both common traits and distinguishing features, allowing classification by style.
Role of Potters: It is theorized that women predominantly made these pots, reflecting personal and community identities in their design.
9.2. Styles Development
Group Variations: Analysis of pottery within cultural context leads to understanding community relationships.
Artistic Freedom vs. Community Standards: Individual expression coexists within communal standards, leading to fluidity in pot designs.
10. Stylistic Evolution and Phases of Jomon Pottery
10.1. Phases
Subdivisions of the Jomon: Archaeologists categorize the Jomon period into six main subperiods, each with internal stylistic phases.
Evolution Rates: Stylistic changes accelerated over time, with shorter periods during historical eras following the Jomon.
10.2. Approximate Timespan
Calculations: 10,000 years divided by 60 identified phases indicates an average duration of about 166 years for each phase.
10.3. Major Development Stages
Incipient Jomon:
Early pottery forms with mental templates from other container types.
Initial creative expressions, patterns influenced by non-clay vessels.
Initial Jomon:
Introduction of conical deep pots as the primary form, emphasizing pottery's unique identity.
Decoration shifts focus to forms intrinsic to clay rather than imitative designs.
Early Jomon:
Diversification in vessel shapes and uses, including serving and storage.
New ornamental techniques introduced, including divided designs and complex compositions.
Middle to Final Jomon:
Emergence of a full range of vessel types for various functions (cooking, serving, burial) alongside ritualistic uses.
Development of narrative patterns that bear cultural significance and layer meanings beyond mere ornamentation.
11. Impact of Pottery on Jomon Society
Cultural Narratives: Pottery reflects deeper societal beliefs and practices, including storytelling embedded in decorative motifs.
Community Engagement: Shared artistic endeavors, likely linked to communal rituals and social interactions, promoted an understanding of cultural narratives reflected in pottery designs.
12. Conclusion
Evolving Concepts: The transformation of Jomon pottery illustrates both technological advancements and shifts in social context, weaving a narrative rich in historical significance.