MM110 - WK11 - Photo Assignment #6 : Photo Sequences

Definition: A photo sequence is a group of photographs designed to be displayed together, where the collective meaning or impact is greater than the sum of individual images.
Purpose: To suggest concepts, illustrate narratives, or create a visual experience that may not exist as a single image.

Eadweard Muybridge:
- An English photographer known for his motion studies in the 1870s, predating motion pictures.
- Utilized multiple cameras that would capture motion through sequential imagery (e.g., analysis of horse movement).
- Important to consider the viewers’ perspective in the 1870s, during an era of long exposure, slow photography.
- Made people visualize and discuss motion in ways previously unexplored, such as questioning horse running mechanics.
Duane Michals:
- Mid-20th century photographer known for his conceptual work, blending art and photography.
- Techniques include double exposure and handwritten text.
- Themes often explore mortality, spirituality, and psychological concepts through image sequences.
- Famous for story-driven sequences like "Heisenberg's Mirror of Uncertainty" and other autobiographical narratives.

Relationships Among Images:
- Images should relate to one another, either chronologically or thematically (e.g., the mirror reflection sequence).
- Consider if the sequence relies on a specific order or if it can be interpreted independently.
- Example: Andy Warhol portrait series, where different angles collectively create one recognizable image.
Time Considerations:
- Time can either exist (storytelling format) or not exist (non-linear narratives).
- Time Exists: Sequential storytelling where events unfold over several images (e.g., "Chance Meeting" showing an encounter).
- Time Does Not Exist: Surreal sequences where images create a conceptual loop (e.g., "Things Are Queer" showing a bathroom scene transitioning without traditional narrative).

Assignment Number Six: Focus on creating a photo sequence.
Image Count: Typically between four to nine images; works best with non-prime numbers for variation (e.g., 4, 6, 8, 9).
Timeline: Expect 2 to 3 weeks to complete; flexibility based on the quality and the thought put into the assignment.
Submission Requirements:
- Compile images into one cohesive presentation instead of individual submissions to simplify review.

Plan: Consider narratives before taking photographs. Planning is crucial for creating a coherent sequence.
Experiment: Multiple attempts may be needed to refine sequences; different themes can be explored based on earlier assignments.
Encourage Creativity: The assignment aims to foster storytelling through photography, so challenge yourself conceptually and technically.

For those unfamiliar with photo assignments, refer to the introductory video linked in the playlist for guidance on concepts and practices in creative photography.
Regular updates on future assignments will be provided to help document progression in learning.
Engage with the community: Questions and suggestions are welcome to enhance the learning experience.