6. CL103 PPT6

Page 1: Introduction to Classical and Mediterranean Archaeology

  • Overview of the Achaemenid and Sasanian Empires

  • Focused on Kleiner, Chapter 2, pp. 50-54.

Page 2: Persia: Achaemenid and Sasanian Empires

  • Achaemenid Empire (559-330 BCE)

    • 539 BCE: Neo-Babylonian Empire conquered by Achaemenid Persians.

    • Key rulers:

      • Cyrus the Great (r. 559-529 BCE): Founded the empire.

      • Darius I (r. 522-486 BCE): Extended the empire and implemented administrative reforms.

      • Xerxes (r. 486-465 BCE): Known for his failed invasion of Greece.

    • 330 BCE: Defeat of Darius III by Alexander the Great, ending Achaemenid rule.

  • Sasanian Empire (224-636 CE)

    • Challenged Roman power in Asia.

    • Shapur I (r. 241-272 CE): Significant ruler during this period.

    • 636 CE: Arab forces expelled the Sasanians from Mesopotamia.

Page 3: Achaemenid Persian Empire Map (559-525 BCE)

  • Geographical Extent: Shows major regions such as Lydia, Media, and Mesopotamia.

  • Highlights the territorial gains under Cyrus and Cambyses.

Page 4: Achaemenid Empire at Greatest Extent (490 BCE)

  • Darius I’s rule marked by attempts to conquer Greece, which proved unsuccessful.

Page 5: Palace at Persepolis (ca. 521-465 BCE)

  • Built primarily by Darius and Xerxes.

  • Dimensions: 1500 x 900 ft; height: 40 ft.

  • Significance as a ceremonial capital of the empire.

Page 6: Plan of Persepolis Palace

  • Features:

    • Gatehouse

    • Apadana (audience hall)

    • Throne Room (Hall of 100 Columns)

    • Palace treasury of Darius I and Palace of Xerxes I.

Page 7: Persepolis Gatehouse Plan

  • Highlights main entrance: Gate of All Lands.

  • Identifies key structural elements, with emphasis on the Apadana.

Page 8: Persepolis Palace Reconstruction

  • Shows main gate and layout for orientation in reconstructions.

Page 9: Persepolis Palace Features Highlighted

  • Emphasis on buildings: Gate of All Lands, Apadana, treasury, main gate dimensions.

Page 10: View of Persepolis Palace

  • Illustrations showcasing reconstructed views of the palace areas.

Page 11: Lamassu at Persepolis

  • Comparison of lamassu figures to Assyrian examples, noting similarities and differences.

Page 12: Assyrian Lamassu Comparison

  • Visuals from the Palace of Sargon II at Dur Sharrukin provide context for artistic styles.

Page 13: Continuation of Lamassu Comparison

  • Further examination of design elements of Assyrian lamassu.

Page 14: Detailed Persepolis Features

  • Further details on the Gate of All Lands, Apadana, and structural components including treasury layout.

Page 15: View of Persepolis Palace Facing Apadana

  • Columns from the Apadana highlighted, connecting to architectural significance.

Page 16: Column Design in Persepolis

  • Characteristics of columns, including the double volutes and capital designs.

Page 17: Capital Design Elements

  • Components of the complex capital including fluted shafts and bell-shaped bases.

Page 18: Influence of Greek Architecture

  • Comparisons to the Temple of Artemis at Ephesus, noting cultural exchanges.

Page 19: Egyptian Influence on Column Designs

  • Visual comparisons to Egyptian columns from Karnak and discussions of influences.

Page 20: Reconstruction of Column Capitals and Ceiling

  • Analysis of the Apadana reconstruction, focusing on artistic and structural elements.

Page 21: Reliefs from the Apadana

  • Illustrations from the East Side of the Apadana, depicting royal and ceremonial themes.

Page 22: Apadana East Side Features

  • Stairway and platform designs featured in the palace layout.

Page 23: Reliefs of Kings' Guard at Apadana

  • Visual depictions of the King’s Guard and their symbolic interpretations.

Page 24: Royal Message in Reliefs

  • Examination of messages conveyed through relief art in the East Side of the Apadana.

Page 25: Depiction of Persian Nobility in Reliefs

  • Distinctions between Median and Persian nobles depicted in limestone reliefs.

Page 26: Cultural Influences from Greece

  • Discussion on the patterned folds in reliefs influenced by contemporary Greek art.

Page 27: Tribute Reliefs

  • Depictions of conquered nations bringing tribute to the Persian king, showing power dynamics.

    • Details varied in appearance yet thematic repetition in the artwork.

Page 28: Assyrian Influence on Reliefs

  • Parallel drawn with Assyrian palace reliefs, particularly in representation of conquest.

Page 29: Sasanian and Roman Empires Map

  • Overview of Sasanian Empire's territorial conflicts and maximum extent during the early 7th century CE.

Page 30: Relief of Shapur I’s Triumph

  • Historical significance of the relief illustrating the capture of Roman Emperors by Shapur, showcasing military might.

Page 31: Ctesiphon and Architectural Features

  • Description of Shapur I’s palace architecture, exploring vaulted audience hall designs.

Page 32: Roman Influence in Architectural Design

  • Comparison between Sasanian and Roman architectural elements, particularly vaulting techniques.