Talk Tuesday

The main favourite... So, what they were proposing was to like puppy, right? Wow. Fun resources. Yeah, just pull up the outline one for me. Down to the waterhead. So, this is the... the next one. The one. There's one that has tapu and no list, stop on it. Maybe I didn't post that one in. If you have number one or one by chance. Towels Doc. I wonder if we get all the way down to... Yeah, this one. So, um, the meanings were areas for... So, Tapu. So, yeah, Noah, Noah, areas for land juice, variation, and then tofu areas for regeneration type food is, like, we don't want to touch this too much. Exactly, for now. More than enough. Oh, okay. So this is, like, we want to protect this, but also reinvigorate the land. And then, no, this is, we want to regenerate and re-end, like, do something with the land. Okay, so this one is like reserved or... Sorted, yeah. Yeah. So it's like, we want to do minimal here, but, like, what we do, do, we want it to be. And this is like the space. This is the space where we can, like, do stuff, do whatever. Yeah. Build your clip there, bro. It's all good. They wanted us to... Yeah, so these are, like, the designations for bombing. Around the... Oh, I..., things. Hang on. We're just gonna, I'm just gonna put out the, I'll send you a couple of examples on that thread. Of some projects that actually are at University of Walgreens, but yeah, B6, which is the same as, you know, last year of the 1st part of your degree. And these are really nice examples, these are super epic ones. But I just thought I'd put them up because there's a few examples of some really beautiful technology models. and also some examples of really important tool models, that things. So they're quite good just to handle them around and see, I guess, set a sort of level of craft and so forth that we're trying to point. Um, and also... models, um, but I just need to be crowded. We'll just do that, and then, um, then we'll just sort of move around in individual groups and sort of run through where you're at. through. Like a lot of it's focussed around the areas bordering the streams. That makes sense. A lot of good, right? What you're kind of looking at? So, with everything that we're doing. So I did this last year, last semester, sorry, for my eco, with understanding these living systems things. So you guys have a little bit of cashing up to do. It's not terribly difficult to understand all this stuff, but like, yeah, a little hit start, so I can't help you with questions of understanding how to think about the living system. Okay. And the wider ecology. And what you could be including and just thinking about it. And the channel doesn't really. They want to do these areas, Diagra, forestry. No doubt. And you know all about buildings. Oh, my God. As you say, yeah, they didn't have your Reese. Uh, which one were you doing the, like, education research? Education research. Yeah, they didn't seem to have that in you, we're specific here, that you can kind of put a... So, they were wanting the research centre up here. Arc, centre, and with me, coffee. Yeah. Ecotourism is Harry... Harry's, you're doing visitors since. Visitor centre was going to be down by the road here. Oh, yeah. I've got one's books. It's almost... It's near the edge of the cook. How about that? I don't know if there's much of a cliff, though. Oh, wait. It's just a road. I think this kind of runs off into the water. Oh, it should be. Okay. Um... So, yeah, the visitor centre they're wanting to put somewhere, yeah. And then desire means all centre, all that stuff and your research centre. I'm guessing you'd probably be putting it somewhere in these suns around here. Well, you what you guys are doing, the 2 buildings. Oh, we're doing the environment. Oh, yeah. I think it's just archeological research. I don't know, like how it's... Yeah. conservation. So we'll clear up our confusion here, like going to... You put a hard drive in my laptop. We're on CDA. Mons Archology Research and Education Centre. House researchers from the National University of Samoa, act as a cultural education hub. Yeah, it was a little cultural education, sort of archeological research and, like, exploration, I think. Yeah. It said my design must carefully integrate with archeological zone, so I'll probably, yeah, so I think we'll end up developing something, you know, in this kind of zone. Yeah. Or even, you know, through here somewhere. Do a thing, because I found this another survey, a more recent one, 2015, and it actually surveys a whole lot of stuff out here. and finds a whole lot more of us. So I'm like, actually, do we need to be... I think they wanted to do this to have your noun connection and to outlook over that. Because this is quite high up, and we're looking back on the show. thing as a hold. But yeah, whether we can probably move stuff around here and do all this stuff. This is going up to down. Yes. Okay. Got this. Yeah. Okay. Let's have colours. Add some more pellas into stuff. Archeology. Ecological. Because it is... What? Ecotorism. I feel like... navigation comes from anything. It's pretty much the most unfortunate. Literally the most important... Blue was... You know, by, like, the slowest odd level, it was a little... I'm not buying, like, a little... Oh, yeah, Robert, do you want to see my words? Oh, yeah. Like what it is? If you do the canvas page? Go through our canvas page and go to the week three. Thank you so much. appreciate it. No problem, basically. Oh, did you leave that for? I go for reads and pull bits of that again. Really? Did you buy your own or what? Hey, this is the one I had. These are the three times. I broke while it was in my position, unfortunately. So, what are you thinking about our colours? I just want to understand what this research is, so it's better. So, modules. Alright, go to week three. Week three. Summary. And then facility spatial requirements. So that's your one, and then one says? I told you, education, living system. Yep, yeah. miles in the back. Yeah. Good, yeah. Culture, because you're here for schools, too, Grace. It's not like a... It's like a research hub in, like, library. It's like two... Don't watch the Odyssey I heard. So down here, it's like... Okay. Have a look, though, on maps and stuff, just to, like, see how their boundaries look. So, in terms of our audiology, we want to be... So, this isn't kind of social... I see why he has his hair because you're closer to the mountain, and there's quite a significant point, you know. Where else would you reckon? Would be a bit of vantage? Because also, like, these different zones, if you read through the lot more in the living system, one each zone in Polynesia, it's not a different demonstration, until under lower, the transport, the middle class, whatever, where the villages reside and stuff like that. And then closer to the highlands, it was where like, so then they put a realm of good... And that's where all the... chiefs and the chiefs fan really worked and stuff like that. Because you're exploring a lot of, like, the significance of, like, understanding, you know, what, because the archeology is trying to reveal, like, what are the settlement patterns of really early Polonesia. We're trying to discover, like, where the basis of the roots and stuff is. So I think that's why that would be a good strategic plantage in the hotter area. I think in terms of learning and stuff like that. more towards a beach, there's more like a middle class number of people living. I don't know where we are. It's in it's in this section. Oh, no, no, so it's in, sorry, I just need to do controlled air. I know exactly what I'm looking for. Probably a job there than the... He goes through all the... living systems. Yeah, yeah. Yes, yeah. Yeah, there we go. Realm of the gods. This is the Hawaiian framework. They've got an illustration, yeah. Or the normal class. Sorry, sorry, that this log on, log of things factor identity stuff. But you guys around there. Do you want to just come in quick and look at this? I, unfortunately, couldn't get all 3 of them down, so I, um, this is Shania. which was a real beautiful one. And, uh, what team is that, but, yeah, it's a good, very nice, um, somewhere that has a sense of place, you know, there's some great land and swampy, you know, the rest of it, um, you'll see a new course that would be a connection to someone's good comic models, which were, um, they're really exquisitely crafted. And again, you know, tectonic model is not quite architecture, but it's something that might point towards how you might design your architecture. She probably would got a bit of grain, just got her name. Well, forgive it on this one, but just, you know, your futuristics. That's the one, small bay colour. That's a really similar process to you guys, without the, without the, I guess, the master training exercise that you're going through currently, we're working together a few groups. So the output that they book out this, there's probably a little bit further along and you guys can get out, but let's try, let's try your place anyway. So again, look at sort of climate process and, you know, being conscious that the climate is in a state of plux. It's not, you could argue that's not in harmony currently. And so, a lot, you know, in my take on those harmonies, I'm not sure where you guys have got to, I stick with them, I'm trying to figure them out. But one take on it as harmonies as that, you know, you're trying to align an architectural harmony with a climatic or a human harmony or something else. So you're looking for those changes and needs. And because we're getting a change in the harmony of climate is something that we need to respond to architecture. So that's one approach that you might want to look at. But you need to know what that means. It's the means more rain, that means more wind, that means probably more heat, and that has impacts on things like forestry and growing and cropping and everything else too. So just think about, you know, maybe think of, you know, one way option to look at concepts, I reckon is to take a sort of notion, harmony, and then look at the opposite of it, look at the sort of disharmony or discord or something and sort of test your ideas with the opposite. And so, you know, that might be one approach, get yourself into, you know, what's out of harmony, and how is the architecture? You currently have lots of, you know, huge. So it's not beautiful site down on a river, which is look good, the coast of you guys in this, the bridge there, is a bush further up, down, a series of starlet and so forth, you know, in that top left corner there, and then there sides, on the coastal bridge of that river, so subject to flooding and so forth. Yeah, you guys were looking, you know, for the sight of the sun, you know, and you know, it's just a face of people. So sort of looking, starting to look at things around, sort of, yeah, but. But so I'm still looking at the rainfall and finals through the season. And then, you know, she started to look at how she might create a series of breeze plays, that sort of misgave climate, without being warned as such, but just being something that stops driving rain, um, and but allowed the air for sweeping rain through. Again, it's up off the ground, so it's explosing in the budget. But it's sort of anchored and it has aspects of vocality and so forth. She's looked at the professional layout of the village. So you have this, the Malaise space at the front. I thought I tell you at the front, at the 1st of ceremonial building, uh, ballet, uh, up along. There's the next one in the smaller ballet behind them, which ones around food, providing so forth. So as an architecture, most of like one big building with a whole bunch of stuff shoved in it, but it seems based on architecture, that's distributed, you know, some clues around thinking that. how you design space. It is, you know, it's actually a tapo, an hour. food areas, just been separate, washing and waste steering. What, what they also did is they went round and looked some, get some examples of architectures in Eltaran that might have a specific background. Does anyone recognise any of these dogs? Have they on say? Have you guys done that? I think, are you too? they haven' open. difficult? All right. And next, next year, if you go through and figure, go to the masters, we go on to make sure you have a live site apparently, so we actually go out to the site for once or twice, and we're also going to the building, I've designed the castle around to take something. So just a chance to get out of the office place. I might sort of hoping to maybe expand that in terms of a few wardrops to other bits of architecture around the place. I think, you know, it's quite up all the drive around, it'd come pointed a particular piece of architecture, all coming up there in life. So, these guys. but then so they went you saw this pist building. This one here, this guy here, with this motif, it's called cumulus, it's medicine's architects. That's just in Parnell. So that's kind of walking distance, everyone know where Panel is. So halfway up the hill. Once you get past the big park there, on the left. There's this building and there's a couple of other buildings in that area too. which we're looking at in the way that this sort of high tech, really, of uh, retainer, sort of sustain the building, you know, lots of movers, and so forth that move. But there's also a sort of a notion or a nod towards, you know, let's say, some sort of weaving, something else, on this massage, and the way that pattern is made as a hold, put it all out of it. So quite a good example, um, Ruby Thompson's house. It's pretty similar piece of architecture, which sort of bridges that gap, I guess, the colonial and modernist architecture. So he was a contemporary of Male Plot, plus A&F films. It is using this building, there's a traditional form that's sort of similar to this, but, you know, there's a statement around the suburbs, and, you know, which always face out, there's sort of this outward presentation where this house turns back to that, and basically towards the hill, all the focus is away, you know, just allows a bit of light on from lighting from the street. The whole focus of the house backwards, push like kindness. it's more about connection with the land. And yeah, Tiaro, which is some, you know, it's a performing arts type space. a visit too. It's a really nice space. and it has a sort. It's hard to sort of just try exactly what it is in terms of what it's referencing, but there's sort of half old element that sits on the top and it was raised off the ground. So that one's a bit of a bus trip away. So it's a really good one, but they're all worth taking a look. And then fish canopy, you know, fish canopy. It's quite a classic. And then, yeah, the new train station. A lot a lot of the stuff sort of pattern making is motif, but it's, you know, traditionally, you know, we've got a post to be, peniculate, modernism as opposed to being, there's vertical things and stuff just going across the top. What you're starting to notice now is more or more kind of triangular fascination, and you'll see that in what's the other one, the scion building, the RTA, Ewing Smith building, which is another sort of classic. I guess, in a way, modernist, the colonial crime, building, like most, you know, the front run, coming in the church whole, whole lot of Apollo Sullivan. I've got a builder mate who's working on a couple of Sullivan's project, so I'm not going to move here, critic the details right here, so... And so, these guys have done, they don't have a series of watercolours, at least, you know, so they went around a bit of cycles at the end of the watercolour analysis of it. And, you know, drawing. because everyone sort of done watercolours and sketches and you guys back to the next and stuff? Like, I would encourage you to just keep doing it, you know? Even as you're drawing over plans, approaches that you're interested in, get out your watercolours and get out your markers or whatever else you use, just keep practising it. So, you know, there's, you know, I, I, I, I, you know, anyone can bust out of nice rings, you know, like it's done in fractions of a second, but you still can't really do that in front of a client. In front of a client, you need to be sitting there with a pen, capturing what you're talking about in real time, and if you can cultivate that skill. That's something that a lot of people sort of have cultivated over the last year in 15 years. I mean, it's a great way to give it from a client to do course. So, I just recommend you those people. And, you know, it creates a beautiful certain 3 port volumes. And then she's also looked at some other precedent projects and done some analysis on them. So what they asked them to do here is sort of find these, find these images and then do some critical reflection on them. And so that critical reflection shouldn't just be about the image that you're looking at, you need to be actually out of the plan. So you can, you know, you do find produce that you've got, like, the look of, the optimist, you know, a thing that catches you as a visual thing around the start. I reckon it's worth going and just trying to find the plans and print those plans out, load them up to the scale that you're working at and just skitch over them. And then you get a sort of notion for the thresholds and so forth, they might be using the scale, the bathrooms, the relationship, the front door, the back door, the service areas and all that stuff. So, um, yeah, so I reckon I'm trying to think of it deeper on you press the research, not just the, not just hacking something into a TDF, but saying this looks nice, just the glazing, it's shining, sort of trying, trying to get feet that deeper in your sense. And yeah, again, like, you know, obviously exploring through growing and things. I think these were drawing, actually, artistically may I skip forward. So this is her initial planning drawings, so she'll, she like the idea of that sort of circular geometry, little bridges and so forth, swinking it. She was conscious that she was on the edge of the wetland, and she was building onto that. So there's a transition between a condition that was, say, on Pinoa, and then one that's moved out across the top of the planet that was, I guess, vulnerable to a sea level chain, pludding, all that stuff. So this is some of really early sketches. Anyway, just sort of getting, like, drawing it multiple times, and the more you draw, you start to see how that sort of certain proportions work and others don't, and each time you're just refining that proportion and then just keeping your eye and using your judgement to make them through it. And yeah, more sketches and planning and so forth. And here he is what I want us to get to. That's the least concept models. Now these are sort of describing probably a section of architecture, so they're probably on the, on the sort of architectural model than the tectonic model. But you're sort of getting the idea that there's lots of little facetted elements, isn't it? Hedge factors and forwards. There's a sort of connection, there's a timber that's bent and there's lack of details and so forth here. So this is this is some the level that we want to be looking at for your technology models. And this one's probably, at the end of your scale, you might have remake your technologic model to be able to describe, you know, an elevation or some other. You're a bit crafted, welcome to do that. I don't know mean there dozens of theseakes I. And I think this was the, yeah, this is, that's Mr. Chris. So similar to what you guys have done is a big pasta dime exercise. It's her individual projects, so she's not having to coordinate with 3 or 4 other colleagues or master plans, but a similar sort of thing, sort of locating where the project is, north and all that stuff, and indication of what the ground thing might look like, whether it's the green or brown or whether it's got, it's got a mound through the middle of it, what the relationship perhaps is, to the, I guess, some of the more sacred elements of the mound and how we use information to that. And then some, you know, these 2 colic models down the bottom and some sketches of what that might look like in architecture. And then, yeah, going through into what a, you know, sectional perspective, hero section, what a, like, and thinking about what a, you know, what those things that happen within her tectonic model, how they might become building elements. Just in just the more development, looking joints, just look, she's very interested in how she might use bamboo, and bamboo is something that's obviously gross really well in tropical environments. I think it's locked over, you know, and you've probably got to read the source of it after the storm there, you can go and chop off there. So I reckon it's probably worth it. No, it's not sort of a native building, a native native material exactly to summer, but it's something that would be really, really available. you might want to think about other types of material that grow this. You know, there are hardwoods that grow in summer as well, but they're probably a good enough purposes. So you're thinking about the hierarchies of materials, materials, that take a long time to grow. It might be part of a material building, but you know, something that's perhaps temporary or replaceable, if there's a storm, it could be made out of bamboo. What it also does is it creates an industry in the area. So by designing with a particular building material, you're saying that this labour source and this material needs to be kept in that place and it creates a business for some people. So you're not just creating an architecture, you're just creating a livelihood for people in that area. So that's something to be conscious of. I can give you a big spay on it later on in due course, I mean, you've got a 2 boy project, but you know, just sort of think about the material selections have this impact through the community. And yeah, good development, it's never sort of quite rigid in a way, there's no circular geometry in the work of intersecting circles or something else, but it has a sort of connection, and it's planning in a way to the traditional style, you know, something that's round, there's series of posts, um, and there's different, I guess, different to the orbits with them as well. Oh, yeah, this is LCA quote. I don't think you guys have to do this. It's's about sort of carbon calculation, but I think we might have just suffered through out of some. Or maybe we'd have done. Oh, yeah, right, right, you've done it? Yeah. Yeah, look, in sort of narrative detail, what all special presentations here. It's a really, really nice piece of work, really. series of drawings. Look at respect, environments, really, you know, doing some proper analysis of that, um, that context and how you might relate to the region. Yeah, I'll just leave that here just to sit up for a little while, but it's a really lovely scheme and beautifully rendered. I think, this isn't, this isn't an AI one. I thought there's elements of Photoshop and other bits and pieces in it, so she's, she's taken a model that she's actually made, but then sort of put it in, so, um, I'm not sure Inscape or something else, and then perhaps put a Photoshop. I'd always try not to sort of give you final output straight out of Endscape or the rendering software, always do that. Always do that 2nd or 3rd or 4th layer of modification and, I guess, sort of tailoring to your specific pushes and Photoshop, you know, just give a few nudges, lure some people, or do something to do with that content. Cool. Is that recently helpful? Yeah, got them nice. Cool. Look, I'll just work around. Is anyone, I can stay with too. Sorry about being late, this young kids get sick and stuff. So I can stay from too, so if there's anyone who really needs to give away before one, just come along and sit down first. but I thought I'll just move my way around you guys. Is that right? Um, one thing I've done is probably interesting for you. I'll talk about later, actually. You do this. Sweet. That sort of blank... Yeah, so no significant points would be native. So, the thing, I'm kind of considering the, the, the architecture, part of it, the archeology, part of it is, is it being used to...? So, that you can, yeah, you can further explore this, um... So, yeah. you can further explore what's actually here. It's kind of what I was thinking. Oh my god. Relax, that's okay. So yeah. I'm just trying to tell you, tell every word it wants. So yeah. Am I using it to further investigate all this or is it going to be like used to investigate the wider area as well? I'd say it's both Yeah. It's not confined to one because then it will, like, once that's done in this sort of surface purpose and then it'll just be stagnant. So yeah, I think that even moving the position of it. Yeah, could be a possibility. Because that's where, you know, more has been discovered out there as well. Yeah, for me, it's not a hard line. It's like, yeah, how would I... just to then go. further and make sure it doesn't become stagnant. So Also, like, not to be a visitor centre, but it will be, like, a location close base point to the mound when people do come visitor, so it's not, like, they go far out, they see the mound, and it's, like, a trick back. Some way to, like, stop off, like, Okay, guys, let's have lunch here, not to say that that's what the building is. But it's like another... A place for pause to... Like a lot of other... Yeah. You arrive, look at the other... And also be nice to like, say I'm a tourist. Oh, I see the mound. This is so cool in this. And then they're like, okay, guys, we're done this part of the tour. Let's walk 5 minutes to the 1st place. And then the scientist, whatever, like takes you through the archeologist. this is what we discovered. So this thing that you saw here, that anyone sees all the interesting... this. Yeah. Yeah. So it comes, yeah, interacting as well. Yeah. Which is one of them, like... So, the research that... Yeah. Yeah. It's for the university, people... Yeah, so... So it's also labelled as an archeology. Conservation. That's the real one. Yeah. And then mine's just the one just under that. We are quite a connected, we are. Um, thing. Yes. which I think we, which I think we could actually establish last weekend, is coming back to me now. Because I was like, oh, yeah, I worked with James Kinnick before, so it's like, we could do it quite, quite, quite alright, I think. These don't have to all be hard wined. Sorry, that was the other thing, Cal mentioned. All of these things aren't, you don't have to put all of these things in. It's just a guideline. This is the guideline, and you put in what aligns most with what your concept driver and harmony are kind of telling you these are the things that would be in line with what I've been finding. Yeah. Yeah. So, yeah, these two end up being quite connected, and I think, yeah, end up being kind of as a zone, and... that we end up developing. So, yeah. So, I should go to a bit like this. They're a bit combined, so we'll, uh... There's a bit of a fun hatch on that. Miguel and his visitor. Does it need to be just one building, though? Or can we split it up? We can, we can do whatever we can. Maybe going back for, like, your reasoning why going around here. Because you're purely conservation, maybe, and then your education. Maybe it'd be metaphor you to be closer to the mountain. Also, I want to know if there's any schools, like, where they are as well. I think there's also for local schools as well, for tours and stuff like that. The one thing I found that was kind of cool is like somewhere along here, just off this road here. I want to do it with this. They actually have a place for where the woman keeps weaving. find maps and stuff, which is something I was really kind of keen to work with. That would be great. Maybe even house facilitate that with this facility, sort of like, you know, the video I posted up and the guy sort of like... Yeah, like... It takes improved. I'd imagine that would be the, like, the visitor centre. Yes, yes. The introduction into like, hey, guys, we had 0 clue what's going on here. This is an introduction. I'm really sure. Is this a little bit or pathway? I think this is pathways? Yeah, that run up through. So, like, yeah. This is scribbled and fun. Oh, these are positive post. Yeah, it's those. Focus on yourself. Pay yourself to the standard. It's my old teacher's favourite... Don't compare Scottish guy, bro. Don't compare yourself to one. I just... standard. Oh, he's so good. I always remember it. Okay, everyone, the Charles reminded me of that. That's right. A bit less of a hard ass than male teacher, but... So, our VC, visitors centre. Close enough. and it becomes as well. So the eco hub that they had was it. Visitor centre, sorry, right up in here. So, okay, they did have it, yeah. Roughly, yeah. Doesn't have to stay there, doesn't have to stay that size. You can change purpose and stuff a little bit if you're wanting to, yeah? I think as long as we just figure out sort of a little region or a little area, then we can, then that will leave it up to the individual, how we... We have an idea of what... Yeah. So, yeah, somewhere in this region where there's all of this stuff's like significant. We can just presume archeology, bits and pieces, yeah, all of these... All of our projects related... the same site, the same thing, the same purpose. You will be naturally. The Eco Village thing that are... Yeah, on the same side. It was just gonna be like... Yeah, why don't we just sit in this region? And I think that it ties really well in what we're doing. where they've designated your green zones, which, uh... traditionally have... No, but we just have all this... I have to finally be a long term, but... And house thing has those triangular greenhouse gardens, which is part of what? his idea for what you end up doing with Vulgos. I think that you look more in this position, actually kind of what I saw here yesterday. How do you take what they already used to do? Yeah, right? Yeah, right? And... Reduce it? In a way... that... incorporates... Yeah, so you're not just creating something home for the sake of... We're trying to stay stagnant. Yeah, yeah. Of course, the token and like a... Like that Pacific Visitor Centre, where it is kind of like a... a bit of old polygon shirt. It was water torture. I'll take the principle in the premise and like the marithology behind it. where I can walk through and you can just like, oh, great. This is how they... Yeah, literally... Innovative, innovative, innovative, innovative, innovative, innovative. And that's where the idea of... If you look at the... If you look at the dark right at the start. It has this as one of the main... They call it epistemology. Yeah, as a way of thinking about and doing integrating ideas. Innovation. Yeah, it's, I'm looking at going how they can use your way, they're crunching out with an empathetic and open mind to all come to, like, a collegiate conclusion. framed it? Yeah, exactly. Just looking at this, I kind of think, just off the top of my head, wouldn't it be better to shift of election, down to the metal, and then ship their ecologies a bit more off? Just because it's sort of like, it's kind of an awkward transition. Like, see, now, I'm thinking, like, you know, human scale, you know, come through the visitor centre, and then you're driving up all the way, then you go past the farm, and then you get to the river. It's kind of like, oh, we visit, go, let's drop our bags, or next part of the tour, go through the ecocentre, next part of the tour. We see that. So, it's, like, that more film transitions, sort of, like, what you were saying about the park. Like, it's all centred around one thing, but further, along the go, the more oceans itself up to you. Unless there was, like, a reason or fertile soil or whatever, but just, yeah, plainly looking at it from a strategic advantage, I reckon it'd be better to have the eco village, closer in this, this area, because then you're closer to the main road, and, like, agriculture, you can drive a bit further away, and... Yes, the only thing I'm thinking of is maybe lowland flooding. There's always a way. I know, that's the only thing I've like initial, like, is the maybe it just is a bit more... You can break those flooding down here, but you don't know. I don't know. It's just, yeah, thinking about that flow and how we relate that. Like, you need an initial idea. I also wanted to look at relationships. Religious, I'll go for. I'm sorry, it's like... No, I can go yellow. That one. That's the overall village. Defending in... That's like a... that thing. So that wouldn't be a conceptual driver. All right, right. The conceptual driver would be saying. Oh, I want to look at birds or vibration. Am I going to translate you back to them? electronic. So, like what I've done here, like, the whole cycling is, like, a three-point, the triadic structures. And now I'm like, oh, how can I use 3 elements? Popper, the earth, it's representing the earth, coming from the earth, something that's dead, the life coming from it. Okay. That's a concept that you can... It's more in that sense. Okay. No, another thing I was looking at was like maybe the conscious shelves. Oh, okay. into that. Some sort of cultural... So, for me, I was looking, I think I've kind of nailed what I'll be looking at, and it's the... So, yeah, for the fine nets that they met. Because, yeah, there's a lot of ideas behind it. that I think work well with what I'm trying to get up to here. yeah. Almost died out that, and then they've kind of revived it in the last 10 to 15 years, through a lot of hard work, anything. So I'm kind of like, okay, I... Yeah, yeah, yeah. So that's kind of why I'm like, oh, okay, I really see how I can apply this here. Some real deep cultural thing that's got high significance, like, throughout some or these are the mats that they make. They sell for thousands and thousands of dollars. Like, now, they sell them. Back in the price. Yeah. The, I think, a bride gets married, the bride's family, like, they all bring them to the groom's family. So they do, then, give them to chiefs when, like, a new chief comes in, they do the weddings and funerals. They were the three main ones. That's kind of what I'll be ending up using for, like, a design driver. the art form and the history of the art form. And you're using your threes. Miguel is using a shock. Shock, lady. Is it not just, he's the continuity, so what? Should I have my research centre close to those new surveyed sides, though? Do I want to be... So now that's being already existing and downloaded, we want to be a bit more... think further ahead and think of, Are we going to further survey? Yeah. Well, look. Um, I'm just still weird that, like, uh, one of the other things I've been arming in our is, do we just want this to be, like, a stagnant place of conservation? Do we want to stop the whole island and be, like, that counts, like, you need to keep all this stuff, 'cause it's important, because it's already there. Yeah. How much of that is needing to happen. And be like, Hey, this is actually now going to be conservation, and it's important to you guys, because it's old. I'm also aware of the fact that, hey, you still need to use land and develop land. So, you kind of in prison? Composing, like, this region become a catalyst before that. I'm just, it's the, I'm an R that I've still been doing. It's not like a... We can propose this because this is a feasibility study, right? So our buildings can be... a model for feasibility and stuff. If we can develop this regeneratively, We have a proven model, a proven concept where we go to the government, the authorities or something. Hey, this is a model that we can apply for realm. So in terms of, like you were saying, like, oh, we want to preserve, well, we also don't want to become stagnant as a society. So I think that would be a great question that the village can answer. Like how do you balance preservation, conservation, cultural significance, but also move forward in the future. And we can, with each of our burgers, we can answer that question the same. So for your, for you, it will be in terms of conservation, archeologically, how do we preserve, but also how do we go forward? It's a quimoa, whole thing, right? How are we walking backwards into the future? With you, the education, how often do we walk backwards into the future? With you as a visitor, how can we walk back there? So... Oh, yeah, I want to create, like, a living past. So not just something to observe. Something to inform. And teach. That's something that informs... From your past living, how you've been taken for... Yeah. So rather than taking this and being, like, this has to stay, and this is what it is, and it has to be, like, this forever. Yeah, be like, Actually, this is a model, this is really interesting stuff. This is our past. This is our heritage. What can we learn and take from this that we may have missed or forgotten to create? a living future in Samoa that still honours all the ideas and the knowledge that is infringed with them all exactly. While it's still constantly evolving as well. I think... I think... They would like their elders to teach, bring up a regular, the younger generation, and I'm like, these are our principles, our way of living. And then, you know, it's like, that gives a foundation, a framework for the longer generation, innovate on top of that, and then rather all the people work against that as long as it wasn't compromising a principle of living.? That's where I really like this concept of Talambord, which is like open conversation. Oh, okay, yes, where, you know, the whole village would kind of, where the whole village would kind of come around with each other. They would talk openly about it. about concerns, problems, and also ideas and futures. in a really, like, safe environment with it, isn't judgement, just understanding and, like, knowledge, kind of being the cheap thing among what's happening. So rather than just, like, one person being, like, this is what we're doing. It's a village. Yeah, look like they were a whole group of people coming together. I told you... relaying their own understanding... Hey, here's where we think things are, and here's what we think things are like. How and where, what do we do with our problems? things that are... going for. I think this is just like such an awesome thing to do. I don't think we do enough often. Really cool for facilitating this open conversation around. Yeah, well, maybe one of these can facilitate, like, that specifically. I don't know, just off the top of my head, could be within the village. It just... You know how there was a slide machine, like, this is where that green... We have, like, a space of, like, an amphitheatre and a switch where discussion... Yep. And, like, this is where we talk about our whole premise for the whole masterpiece to be a proven model for the modern regeneration. So, from memory, the... I don't remember what... But the main one... They have their big posts. I did. I came back from work. And when they have their meetings... the heads of each house... in front of their post. Yeah. with the rest of the... Yeah, yeah, kind of family sitting in behind. And this is, like, we had Teleno, kind of, is engaged, you know, like, this is, like, the main kind of place for us. I think, yeah, that either fitting within the village or that fitting within our even recent facilities. Like these spaces can be involved. throughout. Yeah. This doesn't have to be a one off only in the village because this concept of colour note and speaking and talking and the bringing through ideas doesn't only have to happen within the village setting with just the villages. This can happen within a research space. where everyone is. It's context, yes. So, and in everyone, we can create those spaces for that come to facilitate that conversation and facilitate that. Passing in of ideas and knowledge. It doesn't just have to be a single... I think it's cool because we're not bound. Because it's a thing to reach such a city, so it's kind of like a campus. Yeah, yeah. You can take that spatial principle and apply it to whatever. So that could be like through your bubble diagram, but I don't think we're there yet. This doesn't have to happen only in one place. And it doesn't have to happen, even within a building, because I think I remember Albert last year talking to us about it. And they do hold these conversations within like open fields where everyone actually sits evenly and everyone comes as important as each other. No one's more or less than. and everyone's able to participate in these conversations. So like, this is one version of it, but there are multiple forms. of how you said this. The principles. Yeah. There it is. Yeah, yeah, yeah. Yeah, cooking out, living house. Gathering house, chief house. The one you're referring to is the... Okay. No, that looks like the right one. Yeah, no. His father tell is the one with the post in the outer perimeter, not the... I think you're right. Yeah, yeah, that's fine. This is been... move to the table when we see... It's still bamboo. We can't... No, like the... Miguel, any inputs today? What do you mean? How are you feeling about being massively away from everyone? I don't mind. I think it's not, it needs to be somewhere in the starting region. Yeah. But the form it takes could be up to you. Whether this ends up being just a portal or a gate with a path to something is, you know, you're not fixed. You're not as you don't have to be... This is your building here. Yeah? Remember that. Yeah, yeah. It can be fluid. Do you guys want to do this part of this one? Of course they are. That's all mainly the forestry designation. And it's not really, it's pretty steep, as you can see, with the topography, and it falls into the... river, as well. Okay. Okay. So, like, this would be, you know, raperian restoration, and bringing back forest life and things like that. More like hiking trails, right? All right. The really interesting thing that I found, which is part of my research into maps, is the width the feathers that they used to weave into the maps, were from the map. which is the, actually, the national bird of stuff. And it's... Okay, as a result of losing a lot of forest, introduction of rats, and a few other basic species. What's the name of the route? Manu. M-A-U-M-EA. It's a type of wood pigeon. And this pigeon is the only one that will disperse the seeds of the May of... Yeah, because it's the only one that can actually eat them because it's got the specially designed beak. to actually saw the really hard, like, seeds off the tree. So part of the ecology and restoration, for me, I'm like, do I really want to push this boundary here further up as well? This is like another one of my forces, like, do I really want to push this up? Or do I really, do we want to create a really hard forest edge line here? What stops you from actually building on top of, since you are the archeological conservation centre? You kind of have a license to play with this. Yeah, so I was kind of thinking, dude, how much protection over these things and do I want to have? Like how much do we want to preserve? Do we want to put all these things in little cages or then like cover them up and give them protection from the sun, moon, wind and rain or do we want them to still be exposed? Yeah, almost like there's some buildings in like Rome or Europe and stuff where they like build the building around the ancient ruins and it sort of becomes part of the building. And in there, the people are going through. Get a sense of like, oh, this was here, but this modern building was still there, say like the bottom is all like ancient. So you can almost play around me. Yeah. I think I've got a little bit more research to do into what each of these things are. And they're possible usages.