Shot List Notes: AREA IS SHOTLIST MONDAY

General Production Guidelines * **Editing Aspect Ratio:** The directive "Edit Is Vertical" suggests a specific aspect ratio or viewing orientation for the final edited content, possibly optimized for social media platforms or vertical screens. ### Project: AREA IS SHOTLIST MONDAY * **Section Overview:** This document outlines a detailed shot list for a specific video production day. The focus is on capturing various aspects of an event, including the venue, participant arrivals, and technical setups, across different capture methods. ### Interior Drone Capture ($2:00 \text{ PM} - 2:30 \text{ PM}$) For interior drone capture, the plan is to take $3-4$ stagnant (stationary) shots of the venue's interior between $2:00 \text{ PM}$ and $2:30 \text{ PM}$. These shots are intended to create a "map effect," providing an overview or layout representation of the location. Following this, a dynamic fly-through shot of the empty venue must be executed. Critically, the same flight path must be meticulously replicated when the venue is full. The purpose of this replication is to enable a "match cut" effect, transitioning from the empty to the full venue using a "scan effect" to create a dynamic visual comparison or reveal. ### Exterior Drone Capture For exterior drone capture, an establishing wide shot of the Venue, specifically "Area 15," is required. This shot serves to provide context and introduce the event location from an aerial perspective. Additionally, a unique aerial perspective involves obtaining a $90$ degree angle shot, looking straight down towards the ground. This extreme vertical shot is creatively intended to emulate the impression of a "Rhino dropping in" or "crashing into pavement down below," suggesting a dramatic or impactful visual motif for the project. ### Multiplayer Capture ($2:30 \text{ PM} - 3:30 \text{ PM}$) During the multiplayer capture period from $2:30 \text{ PM}$ to $3:30 \text{ PM}$, the arrival sequence of creators on "000" branded buses will be documented to set the stage for the event. Environmental details, referred to as "Rhino Vision" inserts, will include "beauty shots" of the exterior event space, specifically focusing on signage, crates, and other "cool inserts." These shots are intended to be integrated as "Rhino Vision," implying a specific visual filter or thematic element. Creator interaction and branding will be captured through "match cuts" of creators on-site, incorporating "Robotic D.A.W.G. photos," potentially at a "step-and-repeat" style photo opportunity, connecting creators with the "D.A.W.G." brand or character. For the tech check and setup (Creators' Day), footage of creators actively trying out their gear, such as headphones, adjusting chairs, keyboards, PPT (PowerPoint) mouse usage, and controllers, will be captured to showcase preparation and engagement. Dedicated "beauty shots" will also be obtained for gaming stations, digital walls, and the "d.a.w.g." (likely a significant prop or robotic element) to highlight the event's high-quality equipment and visual environment. ### Probe Lens Shots Probe lens shots will focus on detailed gear, beginning with a "slider shot" of a keyboard and a detailed shot of a mouse to provide intricate close-ups of essential equipment, emphasizing their design and functionality from a unique perspective. System activation will be documented by capturing a PC lighting up and turning on, along with headphones or a controller being taken out of a backpack, creating anticipation and detailing the setup process at a micro-level. Finally, key equipment and branding will be highlighted through shots of monitors, both horizontally and vertically, and a specific shot of the "D.A.W.G. Model" taken "down barrel of turret gun on dog." These shots aim to emphasize critical display elements and reinforce the "D.A.W.G." branding/prop from a distinctive, thematic angle