critics
anti feminist
charleton - “self possessed hussy”
gless - isabella’s chastity shows religious arrogance
patriarchy/feminist
billington - even his final offer of marriage to Isabella becomes a demonstration of brutal authority
marxist
commodification of bodies
law used to regulate morality and impose control rather than serve justice
ryan - barnardine escapes power strucutres by not ackowledging them
morality
hazlitt - there is good even in bad people
sex/sexuality/chastity
Maus - Angelo is sexually aroused by prohibition
DUKE: Sebastian Shaw's portrayal of the Duke in John Barton's 1970 production
played Duke as intellectual fool, unable to master a situation for which he was partly to blame, a pathetic, ineffective bumbler
WOMEN: Findlay quote about fetishing innocence
'tradition of eroticisation of the Virgin through the fixation on chastity'
"something rancid in her chastity… not by any means such a saint" Quiller-Couch
“sex-laws are neglected…enforce(d)… and finally casually dropped, leaving the ‘stew’ as merrily bubbling as at the beginning” - Wharton
honesty
ANGELO: Jonathon Bate view on Angelo's morality (21st century) - Angelo is 'one of the few characters who can self-analyse in an honest way'
VIRTUE: Patsy Hall view on Lucio and Pompey (20th century)
"In a world where situations are rarely what they seem, Pompey and Lucio are consistently faithful to their fallen natures."
marriage
FEMINIST: Sonia Sanchez's view on marriage in the play (21st century)
'Rather than celebrate marriage, 'Measure for Measure' treats it as a form of salutary public shame.'
“marriage is not a matter of comic festivity but a punishment for sexual sin” - Adelman
john barton 1970 production - isabella accepts proposal with warmth
isabella accepts her place as duchess of vienna