GEC 5 Art Appreciation

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127 Terms

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art
CREATIVITY, IMAGINATION AND EXPRESSION

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It takes an artist to make -
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perceive beauty
CREATIVITY, IMAGINATION AND EXPRESSION

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One may - on a daily basis.
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work of art
CREATIVITY, IMAGINATION AND EXPRESSION

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However, not every beautiful things can be seen or experienced may truly be called -
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creativity, imagination, and expression
CREATIVITY, IMAGINATION AND EXPRESSION

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Art is a product of man's -
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nature \= it is not made by man.
CREATIVITY, IMAGINATION AND EXPRESSION

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No matter how mountains are. - is not considered art simply because -
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nature or other work of art \= invest \= Forms and patterns
CREATIVITY, IMAGINATION AND EXPRESSION

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An artwork may be inspired by - , but an artist - his own due to what he perceives as beautiful and incorporates them in creating his masterpiece.
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artist \= spectators of art
CREATIVITY, IMAGINATION AND EXPRESSION

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Perhaps not everyone can be considered an - , but surely, all are -.
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art appreciation
CREATIVITY, IMAGINATION AND EXPRESSION

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We are able to distinguish what is fine and beautiful from what is not and what is good quality from poor. This gives us a role in the field of -
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WAY OF LI
CREATIVITY, IMAGINATION AND EXPRESSION

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ART APPRECIATION AS A -
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Jean-Paul Sartre
CREATIVITY, IMAGINATION AND EXPRESSION
Art Appreciation as a Way of Li

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He is a famous philosopher of the 20th century.
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creative work \= Greene. 1995
CREATIVITY, IMAGINATION AND EXPRESSION Art Appreciation as a Way of Li

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Described the role of art as a - that depicts the world in a completely different light and perspective, and the source is due to human freedom (-)
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exercise and develop
CREATIVITY, IMAGINATION AND EXPRESSION
Art Appreciation as a Way of Li

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In cultivating an appreciation of art. one should so - his taste for things that are fine and beautiful.
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CREATIVITY
CREATIVITY, IMAGINATION AND EXPRESSION

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THE ROLE OF - IN MAKING AN ART
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creativity
CREATIVITY, IMAGINATION AND EXPRESSION
The Role of Creativity in Making an Art

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In art, - is what sets apart one artwork from another.
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lines. flaws, colors, and patterns \= nature
CREATIVITY, IMAGINATION AND EXPRESSION
The Role of Creativity in Making an Art

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An artist does not imitate the - in recreating -.
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creative piece
CREATIVITY, IMAGINATION AND EXPRESSION
The Role of Creativity in Making an Art

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He embraces originality, puts his own flavour into his work, and calls it his own - .
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careful research \= avoid conflicts
CREATIVITY, IMAGINATION AND EXPRESSION
The Role of Creativity in Making an Art

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Creativity should be backed with - on related art to -.
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Albert Einstein
CREATIVITY, IMAGINATION AND EXPRESSION
Art as a Product of Imagination, Imagination as a Product of Art

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A German Physicist who had made a significant
and major contribution in Science and Humanity.
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imagination
CREATIVITY, IMAGINATION AND EXPRESSION
Art as a Product of Imagination, Imagination as a Product of Art

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Knowledge is actually derived from - .
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Imagination
CREATIVITY, IMAGINATION AND EXPRESSION
Art as a Product of Imagination, Imagination as a Product of Art

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" - " is more important than knowledge.
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knowledge
CREATIVITY, IMAGINATION AND EXPRESSION
Art as a Product of Imagination, Imagination as a Product of Art

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For - is limited to all we know and understand, while imagination embraces the entire world and all there ever will be to know and understand.
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Imagination
CREATIVITY, IMAGINATION AND EXPRESSION
Art as a Product of Imagination, Imagination as a Product of Art

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* is not constrained by the walls of the norm, but goes beyond that.
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imagination
CREATIVITY, IMAGINATION AND EXPRESSION
Art as a Product of Imagination, Imagination as a Product of Art

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Through - , one is able to craft something bold, something new, and something better in the hopes of creating something that will stimulate change.
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artwork \= imaginary
CREATIVITY, IMAGINATION AND EXPRESSION
Art as a Product of Imagination, Imagination as a Product of Art

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An - does not need to be a real thing, but can be something that is - .
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art \= reality
CREATIVITY, IMAGINATION AND EXPRESSION
Art as a Product of Imagination, Imagination as a Product of Art

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However, something imaginary does not necessarily mean it cannot be called - . Artists use their imagination that gives birth to - through creation.
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imagination
CREATIVITY, IMAGINATION AND EXPRESSION
Art as a Product of Imagination, Imagination as a Product of Art

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In the same way that imagination produces art, art also inspires - .
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Robin George Collingwood
CREATIVITY, IMAGINATION AND EXPRESSION
Art as Expression

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An English philosopher who is best known for his work aesthetics.
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The Principle of Art. 1928
CREATIVITY, IMAGINATION AND EXPRESSION
Art as Expression

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"What an artist does to an emotion is not to induce it, but to express it." ( - )
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emotions
CREATIVITY, IMAGINATION AND EXPRESSION
Art as Expression

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Expressing emotions is something different
from describing - .
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inner selves
CREATIVITY, IMAGINATION AND EXPRESSION
Art as Expression

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This makes people's art not a reflection of what is outside or external to them, but a reflection of their - .
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Description \= Expression
CREATIVITY, IMAGINATION AND EXPRESSION
Art as Expression

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* actually destroys the idea of expression, as it classifies the emotion, making it ordinary and predictable. - on the other hand, individualizes.
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VISUAL ART
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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Creations that appeal to the sense of sight and
are mainly visual in nature.

Artists produce visual arts driven by their desire to reproduce things that they have seen in the way that they perceived them.

Some mediums of - include paintings. drawings. letterings. printings, sculptures, digital imaging, and more.
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John La Farge
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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"Camellia in Old Chinese Vase on Black Laquer Table" (give the artist)
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Film
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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* refers to the art of putting together successions of still
images in order to create an illusion of movement.

it focuses on its aesthetics, cultural, and social value and is
considered as both art and an industry.
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- Motion-picture camera (also known as movie camera)
- Animation Techniques.
-Computer Generated Imagery (CGI)
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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Some Techniques Used in Films:(enumerate)
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1. Lighting
3. Visual Effects
2. Musical Score
4. Direction
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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Some Important Elements of Films:(enumerate)
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Filmmaking
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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* simulates experiences or creates one that is beyond the scope of our imagination as it aims to deliver ideas, feelings, or beauty to its viewers.
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Performance art
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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* is a live art and the artist's medium is mainly the human body which he or she uses perform, but also employs other kind of art such as visual art, props, or sound.
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1. Time
2. Place
3. Performer/Performer's body
4. Relationship between the audience and the performer(s)
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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Four Important Elements of Performance Art:(enumerate)
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Poetry
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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is an art from where the artist expresses his emotions not by using paint. charcoal, or cameras, but expresses them through words.

It uses a word's emotional, musical, argue, or convince. These words. combined with movements. tone volume, and intensity of the delivery. add to the artistic value of the poem.
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ARCHITECTURE
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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Art is the pursuit and creation of beautiful things while - is the making of beautiful buildings.

However, not all buildings are beautiful because some only embody the functionality they need, but the structure, lines, forms, and colors are not beautifully expressed.
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Collins & Tiley. 1931
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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Buildings should embody these three important elements-plan. construction, and design-if they wish to merit the title architecture. ( - )
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The Grand Theatre de Bordeaux
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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(state the name of the building)
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Dance
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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* is a series of movements that follows the rhythm of a music
accompaniment.

is a creative form that allows people to freely express
themselves.
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Choreography
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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* may seem not to also this, but in art expression.
dancers are not confined to set steps and rules but are free to create and invent their own movements as long as they deem them graceful and beautiful.
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LITERARY ART
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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Artist who practice - uses words-not on paint, musical instruments, or chisels- to express themselves and communicate emotions to the readers.

Simply becoming a writer does not make one a -

it goes beyond the usual professional, academic, journalistic, and other technical forms of writing.

It may include both fiction and non-fiction such as novels.
biographies, and poems.
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Theater
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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* uses live performance to present account or imaginary events before a live audience.

usually follows a script, though they should not be confused with literary arts.
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1. Acting
2. Gesture
3. Lighting
4. Sound Effects
5. Musical Score
6. Scenery
7. Props
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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ELEMENTS OF THEATER (enumerate)
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1. Drama
2. Musical
3. Tragedy
4. Comedy
5. Improvisation
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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GENRES OF THEATER (enumerate)
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Applied Arts \= Industrial design, interior design, fashion design, graphic design
CREATIVITY, IMAGINATION AND EXPRESSION
Ways of Expressing Oneself Through Art

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* incorporating elements of style and design to everyday
items with the aim of increasing their aesthetical value.

Artists in this field bring beauty, charm, and comfort into many
things that were useful in everyday life.

(give examples of artists in this field)
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end \= function \= "whatness"
FUNCTIONS AND PHILOSOPHICAL PERSPECTIVE ON ART

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In contemporary life, the connection between the - ,
the - , and the - of a thing has become closer
and more interlaced, suggesting sometimes that the end is the
function and vice versa, and they determine what kind of thing a thing is.
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ARISTOTLE \= telos
FUNCTIONS AND PHILOSOPHICAL PERSPECTIVE ON ART

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A Greek Philosopher, claimed that every particular substance in the world has an end, or - in Greek, which translate into "purpose."
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formed matter \= function \= "eudemonia" \= rational
FUNCTIONS AND PHILOSOPHICAL PERSPECTIVE ON ART
ARISTOTLE

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Every substance defined as a - , moves
according to a fixed path toward its aim. This telos,
according to Aristotle, is intricately linked with - . For a thing to reach its purpose, is bound to achieve a life of fulfillment and happiness, or in Greek, - . All men move toward this final end. However, happiness, the supposed end of man, is linked with its function, which is being - . One can only be happy when he is rational. The telos, the function, and the 'whatness of a thing are all connected.
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function of art
FUNCTIONS AND PHILOSOPHICAL PERSPECTIVE ON ART
FUNCTIONS OF ART

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An inquiry on the - is an inquiry on what art is for.

Example: What is the Rizal monument for?
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art \= function
FUNCTIONS AND PHILOSOPHICAL PERSPECTIVE ON ART
FUNCTIONS OF ART

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Different art forms come with distinctive functions.
There is no one-to-one correspondence between
an - and its - .

Some art forms are more functional than others.

Architecture as an art is highly functional just like most applied arts. A building as a work of art is obviously made for a specific purpose. Jewelry-making as an art is known by its product.

The name of the art in these applied arts is basically denoted by its specific function.

The name of the art basically points toward the direction of the
product or its function.
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personal functions of art
FUNCTIONS AND PHILOSOPHICAL PERSPECTIVE ON ART
FUNCTIONS OF ART

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The - are varied and highly subjective.

An artist may create an art out of the need for self-
expression. This is the case for an artist who needs to
communicate an idea to his audience.

It can also be mere entertainment for his intended audience.

An art may also be therapeutic. In some orphanages and
home for abandon elders, art is used to help residents process
their emotions or while away their time.
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SOCIAL FUNCTIONS OF ART
FUNCTIONS AND PHILOSOPHICAL PERSPECTIVE ON ART
FUNCTIONS OF ART

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Art is considered to have a social function if and when it addresses a particular collective interests as opposed to a personal interest.

Political art is a very common example of an art with a social
function.

Art may convey message of protest, contestation, or whatever
message the artist intends his work to carry. Often, art can also
depict social conditions. Photography, as an art form, delivers this kind of function by taking photos of sucjects in conditions that people do not normally take a look at or give attention to.

Performance art like plays or satires can also rouse emotions and rally people toward a particular end.
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physical functions of art
FUNCTIONS AND PHILOSOPHICAL PERSPECTIVE ON ART
FUNCTIONS OF ART

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The - are the easiest to spot and understand. It can be found in artworks that are crafted in order to serve some physical purpose. Architecture, jewelry-making, and even interior design are all form of arts that have physical function.
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dance \= religion
FUNCTIONS AND PHILOSOPHICAL PERSPECTIVE ON ART
FUNCTIONS OF ART

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Music used for - and - . In ancient world saw music only
as an instrument to facilitate worship and invocation to gods. It was essential to dance because music assures synchronicity among dancers. Today music has expanded its function and coverage. There is now a lot of music that has no connection whatsoever in dance or religion. People compose hymns of love to express feelling and emotions. It is also used as a wonderful accompaniment to stage plays and motion pictures.
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Sculpture
FUNCTIONS AND PHILOSOPHICAL PERSPECTIVE ON ART
FUNCTIONS OF ART

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* is another functional art form that has long existed for various purposes. It is also made in order to commemorate important figures. Coins are also manifestations of sculpting's function.
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Architecture
FUNCTIONS AND PHILOSOPHICAL PERSPECTIVE ON ART
FUNCTIONS OF ART

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* is an art form that readily lends itself to multiple functions. A lot of investments is put into making structures. Indeed,
whenever art serves a particular function, the form has to be
determined by the function.
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function \= beauty
FUNCTIONS AND PHILOSOPHICAL PERSPECTIVE ON ART
DOES ART ALWAYS HAVE TO BE FUNCTIONAL?

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Most arts are functional, still there are some which are
not. The value of a work does not depend on function but
on work itself. A functional object cannot be claimed to
be beautiful unless it can perform its - sufficiently.
Efficiency cannot be mistaken as -. It certainly
determines the beauty in some works of art, an efficient
functional object is not necessarily beautiful. Art demands
so much more that mere efficiency.
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artists as imitators and an art as mere imitation \= copies \= World of Forms.
FUNCTIONS AND PHILOSOPHICAL PERSPECTIVE ON ART PHILOSOPHICAL PERSPECTIVE ON ART
ART AS AN IMITATION

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Plato in his masterpiece, The Republic, particularly paints a picture of - .

In his view of reality, the things in this world are only - of the original, the eternal, and true entities that can be only found in the - .

He was convinced that artist merely reinformce the belief in copies and discourage men to reach for real entities in the World of Forms.

He was deeply suspicious of arts and artists for two reason: they appeal to the emotion rather than to the rational faculty of man and they imitate rather than lead one to reality.

Also, Plato is worried that art objects represents only the things in world, copies themselves of reality and he claimed that art is an imitation of imitation.
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truth \= reality
FUNCTIONS AND PHILOSOPHICAL PERSPECTIVE ON ART PHILOSOPHICAL PERSPECTIVE ON ART
ART AS A REPRESENTATION

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Aristotle, Plato's most important student in philosophy, agreed with his teacher that art is form of imitation.

In contrast, Aristotle considered art as an aid to philosophy in revealing the - .

Aristotle conceived of art representing possible version of - .

In the Aristotelian worldview, art serves two particular purposes first, art allows for the experience of pleasure and art has an ability to be instructive and teach its audience things about life; thus, it is cognitive as well.
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Immanuell Kant \= satisfaction
FUNCTIONS AND PHILOSOPHICAL PERSPECTIVE ON ART PHILOSOPHICAL PERSPECTIVE ON ART
ART AS A DISINTERESTED JUDGMENT

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* considered the judgment of beauty, the cornerstone of art, as something that can be universal despite its subjectivity.

For Kant, when one judges a particular painting as beautiful, one in effects is saying that he said painting has induced a particular feeling of - from him and that he expects the painting to rouse the feeling from anyone.

There is something in the work of art that makes it capable of inciting the same feeling of pleasure and satisfaction from any perceiver, regardless of his condition.
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Leo Tolstoy \= communication
FUNCTIONS AND PHILOSOPHICAL PERSPECTIVE ON ART PHILOSOPHICAL PERSPECTIVE ON ART
ART AS A COMMUNICATION OF EMOTION

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* , the author of War and Peace & Anna Karenina, provided
another perspective on what art is. For him, art plays a huge role in - to its audience's emotions that the artist previously
experienced.

Art serves as a language, a communication device that articulates feelings and emotion that are otherwise unavailable to the audience.

As a purveyors of man's innermost feelings and thoughts, art is given a unique opportunity to serve as a mechanism for social unity.

Art is central to man's existence because it make accessible feelings and emotions of people from the past and present, from one continent to another.
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SUBJECT
SUBJECT and CONTENT

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It refers to the visual focus or the image that may be extracted from examining artwork. Also, subject seen as "what".
It is the meaning that is communicated by the artist from the artwork.
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CONTENT
SUBJECT and CONTENT

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Also, content see as "why" and the form is the "how".
"The primary stage of engaging with art is its perception."
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Representational Art
SUBJECT and CONTENT
TYPES OF SUBJECT

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Subject that refer to object or events occurring in the real world. It is also as favored because they are easier to
termed "figurative art". Representational works are often favored because they are easier to recognize.

It is clear that the painting is of a woman that is realistically-proportioned; only the upper torso is shown; a beguiling and mysterious smile is flashed: and that the background is a landscape-probably a view from a window.

Example: Leonardo da Vinci, "Mona Lisa" (1503).
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Non-representational Art
SUBJECT and CONTENT
TYPES OF SUBJECT

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It does not make a reference to the real world. It is stripped down to visual elements such as shapes, lines, and colors that are employed to translate a particular emotion, and even concept. It is also termed as "non-figurative art".

Example:Jackson Pollock, detail of "Number 1a" (1948).
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REPRESENTATIONAL ART AND NON-REPRESENTATIONAL ART
SUBJECT and CONTENT
TYPES OF SUBJECT

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is not a clear-cut divide; rather, they exist in a spectrum.
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NON REPRESENTATIONAL ART and ABSTRACT ART
SUBJECT and CONTENT
TYPES OF SUBJECT

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There is a confusion between this two, because they are always classified as the same art but it is not.
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ABSTRACT ART
SUBJECT and CONTENT
TYPES OF SUBJECT

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In itself a departure from reality, but the extent of that departure determine whether it has reached the end of the spectrum, which is non-renresentationally

Example:Pablo Picaso, "Head of a Woman, Mougins" (1962)
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NATURE
SUBJECT and CONTENT
SOURCES AND KINDS OF SUBJECT

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From plants to animals, the qualities of water and the terrain of landmasses' even the perceivable cycles and changing of seasons. These depictions are seen as an expressions of the sacred or the profane, sired by reality or supplemented by the artist's imagination.

Example: Vincent van Gogh, "Dei Ebene von Auvers" (890).
Osterreichische Galerie Belverdere Collection. Vincent van Gogh saw art and nature as inseparable, often finding solace and happiness in painting in it and painting from it
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GREEK AND ROMAN MYTHOLOGY
SUBJECT and CONTENT
SOURCES AND KINDS OF SUBJECT

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Artist on the other hand, gave faces Greek and Roman deities or the god and goddesses whose fates are seemingly as tragic as those of men. It is because of the belief system of Greeks and Romans, it was polytheism with a multitude of gods and goddesses. The Judeo-Christian tradition stems from a belief in lone creator of the universe or what we called monotheism.

The tradition had an immense influence in Western civilization especially in art.

Example: "Discobolus" Roman, 2nd Century AD) British Museum Collection London
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CHURCHES ARCHITECTURE
SUBJECT and CONTENT
SOURCES AND KINDS OF SUBJECT

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Gothic churches were characterized by three things; soaring heights(ceilings), volume(flying buttresses and ribbed vaults), and light 9bright stained glass windows, airy and pleasant interiors). Gothic style architecture is often attributed as he brainchild of Abbot Suger. There is a definitive sense that pointed to the feeling of awe on the part of the believer and he perceived majesty and power of God-all of which happened during the time when religion was at the heart of everyday life. This echoes he belief that "art was central to religious experience."

Example:Michelangelo "Sistine Chapel" (1508-1512)
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HISTORY
SUBJECT and CONTENT
SOURCES AND KINDS OF SUBJECT

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It brings into consideration events that are familiar and sometimes even common or shared in world context: the establishment of nations and states and the resulting ideologies that they breed.

It serves as documentary and commemorative artworks that illustrate subjects such as important leaders and figures, events as they were recorded to have happened, and representations ideologies or values.

Example:Francisco de Goya, "El res de Mayo "(1814)
\-it captures the death of Madrilenes, the local insurgents during the Peninsular War.
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Erwin Panofsky \= Iconology
SUBJECT and CONTENT
SOURCES AND KINDS OF SUBJECT
CONTENT IN ART

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Where was the artwork created in the first place? When this question is asked?
Historian - explained the content analysis or how meaning is arrived as - through the interpretation of iconography. To understand the content it must be reiterated that are various levels of meaning. Perhaps the most common is what we call factual meaning.
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FACTUAL MEANING
SUBJECT and CONTENT
SOURCES AND KINDS OF SUBJECT
CONTENT IN ART

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Pertains o the most rudimentary level of meaning for it may be extracted from the identifiable and recognizable forms in the artwork and understanding how these elements relate to one another.
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CONVENTIONAL MEANING
SUBJECT and CONTENT
SOURCES AND KINDS OF SUBJECT
CONTENT IN ART

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Pertains to the acknowledged interpretation of the artwork sing motifs, signs, symbols and other cyphers as bases of its meaning.
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SUBJECTIVE MEANING
SUBJECT and CONTENT
SOURCES AND KINDS OF SUBJECT
CONTENT IN ART

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When the meaning may not be singular, rather, a painting may communicate multiple meanings to its viewers.
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Michelangelo, "Creation of Adam" from the ceiling of the Sistine Chapel
SUBJECT and CONTENT

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(give the name of the art and artist)
SUBJECT and CONTENT

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(give the name of the art and artist)
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Francisco de Goya, "El res de Mayo "(1814)
SUBJECT and CONTENT

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(give the name of the art and artist)
SUBJECT and CONTENT

\
(give the name of the art and artist)
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Michelangelo "Sistine Chapel" (1508-1512)
SUBJECT and CONTENT

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(give the name of the art and artist) add year
SUBJECT and CONTENT

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(give the name of the art and artist) add year
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"Discobolus" Roman, 2nd Century AD) British Museum Collection London
SUBJECT and CONTENT

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(give the name of the art and artist)
SUBJECT and CONTENT

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(give the name of the art and artist)
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Vincent van Gogh, "Dei Ebene von Auvers" (890).
SUBJECT and CONTENT

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(give the name of the art and artist) add yaer
SUBJECT and CONTENT

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(give the name of the art and artist) add yaer
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Jackson Pollock, detail of "Number 1a" (1948).
SUBJECT and CONTENT

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(give the name of the art and artist) add year
SUBJECT and CONTENT

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(give the name of the art and artist) add year
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Leonardo da Vinci, "Mona Lisa" (1503).
SUBJECT and CONTENT

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(give the name of the art and artist) add year
SUBJECT and CONTENT

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(give the name of the art and artist) add year
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elements of art \= medium
ELEMENTS and PRINCIPLES of ART
ELEMENTS OF ART

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The elements of art are the aspects of an artwork that can be isolated from each other. It is produced when something is done to the - after the technique is carried out. Elements are the necessary preconditions for the creation of art. Some art forms also necessitate some of the elements as they are inherent in the very nature of them.
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LINE
ELEMENTS and PRINCIPLES of ART
ELEMENTS OF ART: Visual

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Refers to a point moving at an identifiable path- it has length, width and direction. It has variations in view of its orientation/direction, shape and thickness.
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VERTICAL LINES
ELEMENTS and PRINCIPLES of ART
ELEMENTS OF ART: Visual
LINE

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\-elevation and height
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HORIZONTAL LINES
ELEMENTS and PRINCIPLES of ART
ELEMENTS OF ART: Visual
LINE

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* rest or calm.
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DIAGONAL LINES
ELEMENTS and PRINCIPLES of ART
ELEMENTS OF ART: Visual
LINE

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* convey movement and instability although the progression can be seen.
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CROOKED LINES
ELEMENTS and PRINCIPLES of ART
ELEMENTS OF ART: Visual
LINE

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* on the other hand are reminiscent of violence, conflict or struggle.
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CURVED LINES
ELEMENTS and PRINCIPLES of ART
ELEMENTS OF ART: Visual
LINE

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* are lines that bend or coil. They allude to softness, grace, flexibility or even sensuality.
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SHAPE AND FORM
ELEMENTS and PRINCIPLES of ART
ELEMENTS OF ART: Visual

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These two are related to each other in the sense that they define the space occupied by the object of art

* refers to two dimensions: height, and width.
* refers to three dimensions: height, width, and depth.
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GEOMETRIC
ELEMENTS and PRINCIPLES of ART
ELEMENTS OF ART: Visual
SHAPE AND FORM

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These shapes find origin in mathematical propositions including squares, triangles, cubes, circles, spheres, and cones.
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ORGANIC
ELEMENTS and PRINCIPLES of ART
ELEMENTS OF ART: Visual
SHAPE AND FORM

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shapes are those readily occurring in nature, often irregular.
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SPACE
ELEMENTS and PRINCIPLES of ART
ELEMENTS OF ART: Visual

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* It is usually inferred from a sense of depth, whether it is real or simulated.
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COLOR
ELEMENTS and PRINCIPLES of ART
ELEMENTS OF ART: Visual

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one of the elements that enhances the appeal of an artwork. Its effect has range, allowing the viewer to make responses based on memory, emotion, and instinct, among others