ID 2242 GT Oxford Program

Nicola Pisano; Pisa Baptistery Pulpit; Early Italian Renaissance

Nicola Pisano; Fortitude; Early Italian Renaissance

Nicola Pisano; Nativity; Early Italian Renaissance

Polykleitos; Doryphorus; Classical Greek

Giotto; Madonna and Child Enthroned (Ognissanti Madonna); Early Italian Renaissance

Cimabue; Madonna and Child Enthroned (Santa Trinita Madonna); Early Italian Renaisance

Masaccio; The Trinity; Italian Renaissance

Brunelleschi; Sacrifice of Isaac; Italian Renaissance

Ghiberti; Sacrifice of Isaac; Italian Renaissance

Ghiberti; East Door of the Florence Baptistery (Gates of Paradise); Italian Renaissance

Ghiberti; Jacob and Esau Panel; Italian Renaissance

Donatello; St. George; Italian Renaissance

Botticelli; The Birth of Venus; Italian Renaissance

Leonardo da Vinci; The Last Supper; Italian High Renaissance

Michelangelo; Pieta; Italian High Renaissance

Raphael; Belvedere Madonna; Italian High Renaissance

Jan van Eyck; Arnolfini Portrait; Northern Renaissance

Hugo van der Goes; Portinari Altarpiece; Northern Renaissance

Durer; Self Portrait in a Fur-Collared Robe; Northern Renaissance

Titian; Venus of Urbino; Venetian Renaissance

Parmigiano; Self-Portrait in a Convex Mirror; Mannerism

Parmigiano; Madonna of the long Neck; Mannerism

Bronzino; Allegory; Mannerism

Durer; Young Hare; Northern Renaissance

Caravaggio, Crucifixion of Peter; Italian Baroque

Annibale; Assumption of the Virgin; Italian Baroque

Bernini; David; Italian Baroque

Rubens; Elevations of the Cross Altarpiece; Flemish Baroque

Watteau; Pilgrimage to Cythera; French Rococo

Rubens; Garden of Love; Frech Rococo

Fragonard; The Swing; French Rococo

David; The Oath of the Horatii; Neo-Classicism

Gericault; Raft of Medusa; Romanticism

Ingres; Grande Odalisque; Romanticism

Courbet; The Stone Breakers; Realism

subtractive

Subtracting material to make a piece

additive

adding material to make a piece

contrapposto

The relaxed natural pose, or "weight shift"

modeling

The use of light and shadow to create the illusion of 3D

chiaroscuro

Heavy contrast between light and dark

fresco

paint is directly applied to wet plaster

bronze casting

the process of pouring molten bronze into a hollow mold to create intricate metal objects

competition panels

Brunelleschi and Ghiberti bronze panels

humanism

emphasizes the agency and social potential of human beings

sfumato

lines evaporating like smoke

all'antica

reviving the style and and principles of ancient works

pyramidal composition

Structured to symbolize strength

verism

art style of extreme realism

grisaille

painting entirely in gray, black, white, or neutral tones

painterly

style characterized by visible brushstrokes; emphasis on texture and color

impasto

Technique in which the artist applies thick layers of oil paint

elongation

deliberately stretching or extending beyond their natural limit

tenebrism

technique that uses extreme contrast between light and dark

divine light

technique that highlights spiritual beings in art

raking light

technique that lights objects at a shallow angle

French Royal Academy/Salon

Set the standards for artistic training and types of art

fete galante

painting genre depicting elegantly dressed aristocrats in lush greenery

Manet; Olympia; Realism

Monet; Impression, Sunrise; Impressionism

Vincent Van Gogh; Starry Night; Post-Impressionism

Cezanne; Mont St. Victoire; Post-Impressionism

Matisse; The Joy of Life; Fauvism

Picasso; Les Demoiselles d'Avignon; Cubism

Kandinsky; Composition; German Expressionism

Balla; Dynamism; Futurism

Arp; Collage Arranged According to the Laws of Chance; DADA

Duchamp; LHOOQ; DADA

Duchamp; The Fountain; DADA

Dali; The Persistence of Memory; Surrealism

Mondrian; Composition; Modernism

readymade

art that consists of pre-existing objects that an artist selects

readymade assisted

art that is made by combining, altering, or modifying pre existing objects