English - Genre Specific Language Terms

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Last updated 10:54 PM on 5/26/26
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71 Terms

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Direct characterisation

The author explicitly describes a character's traits (e.g., "She was kind and gentle").

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Indirect characterisation

The reader infers traits through a character's actions, dialogue, thoughts, or how others react to them.

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Archetype

A universal character model or pattern (e.g., the hero, the mentor).

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Foil

A character who contrasts with another, highlighting their traits.

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Linear narrative

Events are presented in chronological order.

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Non-linear narrative

Events are presented out of order (e.g., flashbacks, flashforwards).

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Conflict

The main problem driving the story, either internal (character vs. self) or external (character vs. other forces like society, nature, or another character).

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Foreshadowing

Hints about events to come.

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Climax

The turning point or moment of highest tension.

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Setting

The time, place, and social context of the story. Setting can contribute to the mood (emotional tone) or act as a symbol.

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Pathetic fallacy

Attributing human emotions to nature or the environment to reflect mood.

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First-person

The narrator is a character in the story (e.g., "I walked to the store").

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Third-person limited

The narrator knows the thoughts of one character.

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Third-person omniscient

The narrator knows the thoughts of all characters.

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Unreliable narrator

A narrator whose credibility is questionable.

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Stream of consciousness

A narrative style that mimics the flow of a character's thoughts.

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Intrusive narrator

A narrator who interrupts the story to provide commentary.

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Imagery

Descriptive language appealing to the senses (e.g., "The roses smelled sweet and filled the air with a heady aroma").

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Figurative language

Creative expressions that go beyond literal meaning

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Metaphor

Direct comparison (e.g., "Her smile was sunshine").

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Simile

Comparison using "like" or "as" (e.g., "He ran like the wind").

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Personification

Giving human qualities to non-human things (e.g., "The wind whispered through the trees").

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Symbolism

Using objects or characters to represent abstract ideas (e.g., a dove symbolizing peace).

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Motif

A recurring element, such as an image or idea, that reinforces themes.

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Allusion

A reference to another text, historical event, or cultural figure.

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Allegory

A story functioning as an extended metaphor where characters and events represent abstract ideas (e.g., George Orwell's Animal Farm).

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Tone

The author's attitude toward the subject (e.g., serious, sarcastic, playful)/The speaker's attitude (e.g., reflective, defiant).

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Mood

The emotional atmosphere created by the text (e.g., eerie, uplifting)/The emotional effect on the reader (e.g., melancholic, jubilant).

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Purpose

The reason the author writes the text (e.g., to inform, persuade, entertain, or reflect).

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Audience

The intended readers or viewers, influencing tone and style.

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Chronological

Events or points presented in time order.

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Cause and Effect

Explaining why something happens and its consequences.

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Compare and Contrast

Highlighting similarities and differences between ideas.

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Problem-Solution

Presenting an issue and proposing resolutions.

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Cyclical structure

A structure where the ending mirrors or reflects the beginning.

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Juxtaposition

Placing contrasting ideas, events, or descriptions close together for effect.

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Formal language

Polished, professional tone with precise vocabulary.

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Informal language

Conversational tone, including colloquialisms and slang.

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Rhetorical questions

Questions posed to provoke thought rather than elicit an answer (e.g., "Who wouldn't want success?").

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Cliche

an over-used expression. (e.g., It was a dark and stormy night).

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Ethos

Establishing credibility or authority (e.g., citing expertise).

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Pathos

Appealing to emotions (e.g., a personal anecdote).

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Logos

Appealing to logic through facts and statistics.

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Chiasmus

A rhetorical figure where words or phrases are reversed for effect (e.g., "Ask not what your country can do for you—ask what you can do for your country").

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Antithesis

Contrasting ideas placed in parallel structures (e.g., "It was the best of times, it was the worst of times").

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Jargon

Specialised language used, often defined by profession or group of shared interests.

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Hyperbole

Deliberate exaggeration for effect (e.g., "This product will change your life!").

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Anecdote

A short personal story to illustrate a point.

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Direct address

Speaking directly to the audience (e.g., "You need to act now").

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Imperative

An order or command for an action.

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Repetition

words or statements used more than once for emphasis

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Point of view

The author's perspective or stance.

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Bias

The author's subjective views or preferences, often revealed through word choice.

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Euphemism

Mild or indirect phrasing to soften harsh realities (e.g., "passed away" instead of "died").

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Satire

Use of humour, irony, or ridicule to criticise or expose flaws in individuals or society.

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Lineation

How lines are arranged in the poem (e.g., long lines, short lines).

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Stanza forms

Groupings of lines (e.g., couplets, quatrains).

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Enjambment

A line that flows without pause into the next.

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Caesura

A pause within a line, often marked by punctuation.

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Volta

A shift in tone or argument, especially in sonnets.

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Free verse

Poetry without a regular rhyme or meter.

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Imagery

Vivid sensory descriptions to evoke specific images or emotions.

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Alliteration

Repetition of initial consonant sounds.

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Assonance

Repetition of vowel sounds (e.g., "The rain in Spain").

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Onomatopoeia

Words that imitate sounds (e.g., "buzz," "clang").

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Sibilance

Repetition of "s" or "sh" sounds to create a hissing or soothing effect.

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Cacophony

Use of harsh, discordant sounds.

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Euphony

Use of pleasing, harmonious sounds.

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Hyperbole

Exaggeration for effect.

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Persona

The voice or role assumed by the poet or speaker.

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Dramatic monologue

A poem in which the speaker addresses a silent listener, revealing their character indirectly.