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Direct characterisation
The author explicitly describes a character's traits (e.g., "She was kind and gentle").
Indirect characterisation
The reader infers traits through a character's actions, dialogue, thoughts, or how others react to them.
Archetype
A universal character model or pattern (e.g., the hero, the mentor).
Foil
A character who contrasts with another, highlighting their traits.
Linear narrative
Events are presented in chronological order.
Non-linear narrative
Events are presented out of order (e.g., flashbacks, flashforwards).
Conflict
The main problem driving the story, either internal (character vs. self) or external (character vs. other forces like society, nature, or another character).
Foreshadowing
Hints about events to come.
Climax
The turning point or moment of highest tension.
Setting
The time, place, and social context of the story. Setting can contribute to the mood (emotional tone) or act as a symbol.
Pathetic fallacy
Attributing human emotions to nature or the environment to reflect mood.
First-person
The narrator is a character in the story (e.g., "I walked to the store").
Third-person limited
The narrator knows the thoughts of one character.
Third-person omniscient
The narrator knows the thoughts of all characters.
Unreliable narrator
A narrator whose credibility is questionable.
Stream of consciousness
A narrative style that mimics the flow of a character's thoughts.
Intrusive narrator
A narrator who interrupts the story to provide commentary.
Imagery
Descriptive language appealing to the senses (e.g., "The roses smelled sweet and filled the air with a heady aroma").
Figurative language
Creative expressions that go beyond literal meaning
Metaphor
Direct comparison (e.g., "Her smile was sunshine").
Simile
Comparison using "like" or "as" (e.g., "He ran like the wind").
Personification
Giving human qualities to non-human things (e.g., "The wind whispered through the trees").
Symbolism
Using objects or characters to represent abstract ideas (e.g., a dove symbolizing peace).
Motif
A recurring element, such as an image or idea, that reinforces themes.
Allusion
A reference to another text, historical event, or cultural figure.
Allegory
A story functioning as an extended metaphor where characters and events represent abstract ideas (e.g., George Orwell's Animal Farm).
Tone
The author's attitude toward the subject (e.g., serious, sarcastic, playful)/The speaker's attitude (e.g., reflective, defiant).
Mood
The emotional atmosphere created by the text (e.g., eerie, uplifting)/The emotional effect on the reader (e.g., melancholic, jubilant).
Purpose
The reason the author writes the text (e.g., to inform, persuade, entertain, or reflect).
Audience
The intended readers or viewers, influencing tone and style.
Chronological
Events or points presented in time order.
Cause and Effect
Explaining why something happens and its consequences.
Compare and Contrast
Highlighting similarities and differences between ideas.
Problem-Solution
Presenting an issue and proposing resolutions.
Cyclical structure
A structure where the ending mirrors or reflects the beginning.
Juxtaposition
Placing contrasting ideas, events, or descriptions close together for effect.
Formal language
Polished, professional tone with precise vocabulary.
Informal language
Conversational tone, including colloquialisms and slang.
Rhetorical questions
Questions posed to provoke thought rather than elicit an answer (e.g., "Who wouldn't want success?").
Cliche
an over-used expression. (e.g., It was a dark and stormy night).
Ethos
Establishing credibility or authority (e.g., citing expertise).
Pathos
Appealing to emotions (e.g., a personal anecdote).
Logos
Appealing to logic through facts and statistics.
Chiasmus
A rhetorical figure where words or phrases are reversed for effect (e.g., "Ask not what your country can do for you—ask what you can do for your country").
Antithesis
Contrasting ideas placed in parallel structures (e.g., "It was the best of times, it was the worst of times").
Jargon
Specialised language used, often defined by profession or group of shared interests.
Hyperbole
Deliberate exaggeration for effect (e.g., "This product will change your life!").
Anecdote
A short personal story to illustrate a point.
Direct address
Speaking directly to the audience (e.g., "You need to act now").
Imperative
An order or command for an action.
Repetition
words or statements used more than once for emphasis
Point of view
The author's perspective or stance.
Bias
The author's subjective views or preferences, often revealed through word choice.
Euphemism
Mild or indirect phrasing to soften harsh realities (e.g., "passed away" instead of "died").
Satire
Use of humour, irony, or ridicule to criticise or expose flaws in individuals or society.
Lineation
How lines are arranged in the poem (e.g., long lines, short lines).
Stanza forms
Groupings of lines (e.g., couplets, quatrains).
Enjambment
A line that flows without pause into the next.
Caesura
A pause within a line, often marked by punctuation.
Volta
A shift in tone or argument, especially in sonnets.
Free verse
Poetry without a regular rhyme or meter.
Imagery
Vivid sensory descriptions to evoke specific images or emotions.
Alliteration
Repetition of initial consonant sounds.
Assonance
Repetition of vowel sounds (e.g., "The rain in Spain").
Onomatopoeia
Words that imitate sounds (e.g., "buzz," "clang").
Sibilance
Repetition of "s" or "sh" sounds to create a hissing or soothing effect.
Cacophony
Use of harsh, discordant sounds.
Euphony
Use of pleasing, harmonious sounds.
Hyperbole
Exaggeration for effect.
Persona
The voice or role assumed by the poet or speaker.
Dramatic monologue
A poem in which the speaker addresses a silent listener, revealing their character indirectly.