APMT: Chapter 5

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14 Terms

1
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perfect authentic cadence

V to I in major keys

V to i in minor keys

most be in root position

2
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imperfect authentic cadence

highest sounding note is not tonic

vii diminished to one instead

one or both are inverted

3
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half cadence

second chord is a V

4
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phrygian half cadence

iv6 to V in minor keys

5
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plagal cadence

IV to V in major keys

iv to i in minor keys

ii6 to I in major

6
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deceptive cadence 

V is first, second is not I

7
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rhythmic cadences

often end with a longer note then the prevailing note values

8
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passing tone (terms of C)

CDE or CBA

9
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neighboring tone (terms of C)

CBC or CDC

10
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escape tone (terms of C)

CDB

11
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appoggiatura

CED

12
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suspension

CCB

13
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retardation

CCD

14
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anticipation

CBB or CDD