Am lit critics

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Last updated 10:10 AM on 5/24/26
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40 Terms

1
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TGG - Flanagan: ‘Gatsby is somewhat vague…

‘The reader’s eyes can never quite focus upon him, his outlines are dim’

2
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TGG - Marius Bewley: “Daisy Buchanan has an emptines that…

‘we see curdling into the viciousness of a monstrous moral indifference’

3
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TGG - Spearman: “It is an embodiment of…

“Marxist Soviet propaganda”

4
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TGG - Orstein: “Fitzgerald adumbrated the coming…

“tragedy of a nation grown decadent without achieving maturity”

5
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TGG - Callahan: “Gatsby’s feelings towards Daisy are inseparable from…

“money and possessions due to the pervasive culture of material success”

6
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AOI - Pamlea Knights: “the novel is a memorial to…

“the extinct social order”

7
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AOI - Max Herzberg: “Archer and May’s marriage is bound…

by the tribal code of the elite”

8
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TGG - Jonathan Yardley: “Fitzgerald gives us a mediation on some of this country’s most central ideas…

“the quest for new life, the preoccupation with class, the hunger for riches”

9
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TGG - Thomas Flanagan: “Gatsby lives in a world of..

“romantic energies and colours”

10
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TGG - Edwin Clark: “Fitzgerald discloses in these people…

“a means of spirit, carelessness and absence of loyalties”

11
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TGG - Fahey: “dream based on the assumption that…

“material possessions are synonymous with happiness, harmony and beauty”

12
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TGG - Menchen: “their idiotic pursuit of…

“sensation, their almost incredible stupidity and trivality”

13
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TGG- Rena Sanderson: “women are presented to…

“simply dominate the American man…a woman has no identity except in the eyes of her beholder”

14
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AOI - Judith Fryer: “Wharton saw the repression of the…

“self in the old ways and the fragmentation of the self in the new ways”

15
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AOI - Singley: “instinct, not reason…

“rules New York”

16
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AOI - Nancy Bentley: “custom is an…

“always-present web of force”

17
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AOI - Pamela Knight: “Archer locks May…

“in the virginal script he criticises”

18
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PASSING - Joyce: “the novel is more about class…

“than it is about race”

19
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PASSING - Wall: “In her whiteness, Clare is not free…

“she has taken on an existence that assures her emotional and spiritual captivity”

20
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PASSING - Askew: “Irene Redfield is deeply invested in…

“her sense of authenticity as a member of the black bourgeoisie”

21
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PASSING + TGG - Charles Lewis: “Irene and Nick…

“both possess a sense of pedigree that makes them feel superior to the main characters”

22
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PASSING - Eva McKnight: “Through Irene, Larsen illustrates the irreparable damage…

“and self-hating effects of the white gaze”

23
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PASSING - Eva McKnight: “the priviledged paleness that these two women share…

leaves them in a racial limbo, cursed in their ethnic fluidity”

24
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American man - Alan Houston

“the survival of the American man depends on the rediscovery of primal masculinity”

25
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GOW - Taliawaite: “By ending the novel this way, Steinbeck continues his literary references to…

“the Bible as it provides symbolic resurrection of humanity and steps towards societies regrowth"

26
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GOW - Fielder: “The ending is…

“simply symbolic and does little to resolve the otherwise realistic novel”

27
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GOW - Peter Salwen: “Jim is the…

“moral centre of the book”

28
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TGG - Paul Stavely: “Like America itself, Gatsby has lost sight of…

“his original ideas and strives to reach a place of impossible perfection”

29
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American Freedom - Pinsker: “Freedom is America’s…

“abiding subejct, as well as its deepest problem”

30
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AOI - Joslin: “Newland is an…

“armchair feminist”

31
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TGG - Jay McInerney: “In its barest outline, TGG is…

“a love story”

32
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GOW - Malcolm Cowley: “What one remembers most of all is Steinbeck’s…

“sympathy for the migrants”

33
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American Dream - Apess and Douglas: “the American Dream is America's…

"self-generated mythology”

34
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Faith - Peter Lisca: “out of the profoundest depth of despair…

“comes the greatest assertion of faith"

35
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TGG - Kathleen Parkinson: “[Gatsby epitomises] the ethic of individual enterprise…

“in a land of boundless opportunities”

36
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Jeffrey Steinbrink: [Gatsby] “adopts the myth of regeneration…

“as the single sustaining principle of his existence”

37
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Paul MacKenderick: “[Gatsby] devoted his whole corrupt life…

“to the realising of his incorruptible dream”

38
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Kathleen Parkinson: "Daisy's role as the jewel in Tom's social crown…

“demands that she remain passive”

39
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Kathleen Parkinson: "Daisy's superficial charm conceals…

“a deep moral emptiness"

40
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Frederick Carpenter: "the family remains…

“the fundamental unit”